"Both To Blame" by Broadus, Rivilin had its release date on November 14, 2025. Both To Blame is considered explicit and may contain foul language. This song is about 3 minutes and 29 seconds, which is about the average length of a typical song. There are a total of 13 in the song's album "The one who changed was me, and so I left.". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Based on our statistics, Both To Blame's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Both To Blame by Broadus, Rivilin having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tears | Velour Doom | F♯ Minor | 8 | 11A | 81 BPM | ||
| CANTSAYNO | Yates XV | F Major | 6 | 7B | 130 BPM | ||
| Until the Day I | Zero 9:36 | D♭ Minor | 10 | 12A | 90 BPM | ||
| Words We Never Said - Atmospheric Version | Deathly Hours | F Minor | 6 | 4A | 100 BPM | ||
| COMPANY LOVES MISERY | Ethan Ross | B Minor | 5 | 10A | 120 BPM | ||
| Anchorless | Deathly Hours | B♭ Minor | 8 | 3A | 82 BPM | ||
| Hate Me Too | Grimzlee | D Major | 7 | 10B | 64 BPM | ||
| Silhouettes | False Saints | F Minor | 9 | 4A | 150 BPM | ||
| Revenant Vows | Deathly Hours | F♯ Minor | 6 | 11A | 91 BPM | ||
| Hurts Like You | CR33PIA | G Major | 8 | 9B | 113 BPM | ||
| Why do I bleed this way? | We Are The Empty | G Major | 7 | 9B | 115 BPM | ||
| Ghost Inside | Like Monroe | D Major | 8 | 10B | 146 BPM | ||
| Slipknot | IDLEGLANCE, Yates XV | B♭ Minor | 4 | 3A | 90 BPM | ||
| Again | Venfex | A Minor | 6 | 8A | 130 BPM | ||
| Stressed Out | FLOWERBOY | B♭ Minor | 7 | 3A | 154 BPM | ||
| ARCHETYPE | Notions | D♭ Major | 9 | 3B | 170 BPM | ||
| Cardinal In The Crossfire | nothing,nowhere. | A Major | 9 | 11B | 197 BPM | ||
| Last of Machine | Trixie&Molly, Sinizter | G Minor | 7 | 6A | 99 BPM | ||
| Gasoline Heart | GhostWriteKing | B♭ Major | 7 | 6B | 170 BPM | ||
| THE COLLAPSE | Witchz | G Minor | 7 | 6A | 99 BPM | ||
| Grasping At Straws | Hollow | D♭ Minor | 7 | 12A | 135 BPM | ||
| There's Something to Your Ghost | Ray Hawthorne | D Major | 5 | 10B | 88 BPM | ||
| What Have I Become? | Caskets | G Minor | 9 | 6A | 115 BPM | ||
| Caving In | Devil May Care | B♭ Minor | 10 | 3A | 94 BPM | ||
| Thalassa | Valiant Hearts, Trenton Woodley, Ladders on Tables | A♭ Major | 9 | 4B | 168 BPM |