Deborah Allen's ' "Let Me Be the First" was released on its scheduled release date, November 6, 1984. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Deborah Allen's "Let Me Be The First (Expanded Edition)" album is number 6 out of 13. On top of that, United States appears to be the country where this track was created. In terms of popularity, Let Me Be the First is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Let Me Be the First by Deborah Allen to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Don't Know Why You Don't Want Me | Rosanne Cash | D Major | 6 | 10B | 115 BPM | ||
| Standing On the Edge Of Goodbye | John Berry | A Major | 4 | 11B | 138 BPM | ||
| Slippin' Away | Jean Shepard | F Major | 5 | 7B | 113 BPM | ||
| I Want To Hold You In My Dreams Tonight | Stella Parton | G Major | 2 | 9B | 87 BPM | ||
| It's Only Goodbye | Deborah Allen | C Major | 8 | 8B | 81 BPM | ||
| She Couldn't Love Me Anymore | T. Graham Brown | E♭ Major | 6 | 5B | 96 BPM | ||
| For All The Wrong Reasons | The Bellamy Brothers | D Major | 5 | 10B | 116 BPM | ||
| Love Don't Care (Whose Heart It Breaks) | Earl Thomas Conley | F Major | 5 | 7B | 125 BPM | ||
| You And I | Eddie Rabbitt, Crystal Gayle | F Major | 3 | 7B | 164 BPM | ||
| He Would Be Sixteen | Michelle Wright | E♭ Major | 3 | 5B | 93 BPM | ||
| Crackers - Single Version | Barbara Mandrell | B Major | 9 | 1B | 153 BPM | ||
| Too Much Is Not Enough | The Bellamy Brothers, The Forester Sisters | G Major | 7 | 9B | 191 BPM | ||
| I Can't Turn the Tide | Baillie & The Boys | E♭ Major | 2 | 5B | 119 BPM | ||
| Holding Her and Loving You | Earl Thomas Conley | G Major | 3 | 9B | 126 BPM | ||
| What I'd Say | Earl Thomas Conley | F♯ Major | 3 | 2B | 118 BPM | ||
| Your Heart's Not in It | Janie Fricke | D♭ Major | 3 | 3B | 104 BPM | ||
| Tell Me Why | Wynonna | E♭ Major | 8 | 5B | 142 BPM | ||
| If You Ever Change Your Mind | Crystal Gayle | A Major | 4 | 11B | 82 BPM | ||
| I'm Not That Lonely Yet | Reba McEntire | F Major | 2 | 7B | 84 BPM | ||
| Sweet Desire | The Kendalls | D Major | 4 | 10B | 117 BPM | ||
| Ashes To Ashes | Terri Gibbs | F♯ Minor | 4 | 11A | 89 BPM | ||
| You And Only You | John Berry | E Major | 3 | 12B | 141 BPM | ||
| What's Forever For? | Michael Martin Murphey | C Minor | 4 | 5A | 75 BPM | ||
| Take The Long Way Home | John Schneider | G Major | 2 | 9B | 163 BPM | ||
| Come a Little Bit Closer | Johnny Duncan, Janie Fricke | B♭ Major | 7 | 6B | 129 BPM |