Dave Murphy's ' "Chasing Ghosts" was released on its scheduled release date, January 1, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 12 in Chasing Ghosts by Dave Murphy. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Chasing Ghosts is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Chasing Ghosts by Dave Murphy is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| WINTER SUN | J Shogren Shanghai'd | D Major | 4 | 10B | 104 BPM | ||
| Back to the Garden | Patrick Sampson | B♭ Major | 4 | 6B | 176 BPM | ||
| Oh Yeah I Know | Roberto Hutchins | B♭ Major | 4 | 6B | 176 BPM | ||
| Temple Bar | Elliott Murphy | B♭ Major | 4 | 6B | 176 BPM | ||
| What I'd Been Waiting For | Christian Rutledge | A Major | 3 | 11B | 87 BPM | ||
| 12 Notes And 26 Letters | Scott Sean White, Susan Gibson | G Major | 5 | 9B | 148 BPM | ||
| Cage Of Stars | Police Dog Hogan | D Major | 5 | 10B | 137 BPM | ||
| let the little ones come | stephen t.p. moore | E Minor | 6 | 9A | 118 BPM | ||
| Relatively Sober | Brock Gleeson | B♭ Major | 4 | 6B | 176 BPM | ||
| Down on the Border Tonight | Bob Stewart | B♭ Major | 4 | 6B | 176 BPM | ||
| I Might as Well Try | Police Dog Hogan | G Major | 3 | 9B | 115 BPM | ||
| I'm Still Fine | Ashley Harding | E Major | 4 | 12B | 105 BPM | ||
| Ain't Hit the Bottom | Bob Hausler | G Major | 9 | 9B | 135 BPM | ||
| Wild Dreams | Henry Conlon | B♭ Major | 4 | 6B | 176 BPM | ||
| Surrendered | Brandon Bart | F Minor | 6 | 4A | 80 BPM | ||
| Broken Wing | Jon Paul Harvey | D Major | 4 | 10B | 100 BPM | ||
| Hourglass | Chris Darlak | B♭ Major | 4 | 6B | 176 BPM | ||
| No, It Ain't Easy At All | Tim Meegan Jr. & The 105's | D Major | 4 | 10B | 120 BPM | ||
| Steel City (for Robbie) | James Thomson | E♭ Major | 8 | 5B | 166 BPM | ||
| Lipstick, Leather & Gasoline | HotWingJones | B♭ Major | 4 | 6B | 176 BPM | ||
| Mid Century Modern | Otis Gibbs | E Major | 4 | 12B | 108 BPM | ||
| here today gone tomorrow | stephen progmoore | B♭ Major | 4 | 6B | 176 BPM | ||
| A FIREWALL OF FAITH | STEVE ZIMMERMOORE | B♭ Major | 4 | 6B | 176 BPM | ||
| Existentialist Blues | John Richard Paul | B♭ Major | 4 | 6B | 176 BPM | ||
| To Tear Myself Apart | Ward Davis | B♭ Major | 4 | 6B | 176 BPM |