- BPM
- 157
- Key
- A Major
- Camelot
- 11B
Suite: Dashing Away with the Smoothing Iron by John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones Song Details
John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones's ' "Suite: Dashing Away with the Smoothing Iron" was released on its scheduled release date, March 17, 2001. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Suite: Dashing Away with the Smoothing Iron's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in English String Miniatures, Vol. 1 by Royal Ballet Sinfonia. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Suite: Dashing Away with the Smoothing Iron's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
BPM and Tempo
The tempo marking of Suite: Dashing Away with the Smoothing Iron by John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -22.125 dB
- Acousticness
- 94%
- Danceability
- 26%
- Energy
- 15%
- Instrumentalness
- 83%
- Liveness
- 7%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 41%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | |
 | 5 Bagatelles, Op. 23a (Arr. L. Ashmore for Clarinet & Strings): No. 3, Carol. Andante semplice | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | B♭ Major | 0 | 6B | 78 BPM | |
 | The Christmas Song (Arr. for Choir & Orchestra) | Robert Wells, The Cambridge Singers, Cambridge Orchestra, John Rutter | G Major | 1 | 9B | 65 BPM | |
 | Le Noël des oiseaux (Arr. for Cello & Piano by Julian Riem) | Cécile Chaminade, Raphaela Gromes, Julian Riem | E♭ Major | 1 | 5B | 101 BPM | |
 | English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | |
 | Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | |
 | Sandpaper Ballet | Leroy Anderson, BBC Concert Orchestra, Leonard Slatkin | C Major | 0 | 8B | 107 BPM | |
 | In terra pax Op. 39: A Frosty Christmas Eve | Gerald Finzi, Donald Sweeney, Winchester Cathedral Choir, Waynflete Singers, Bournemouth Symphony Orchestra, David Hill | G Major | 0 | 9B | 79 BPM | |
 | In dulci jubilo | Samuel Scheidt, The Cambridge Singers, Michael Meeks, Edward Hobart, John Scott, John Rutter | A Major | 1 | 11B | 71 BPM | |
 | Herz und Mund und Tat und Leben, Cantata BWV 147 - Arr. Robert Bockholt: Jesu Joy of Men's Desiring | Johann Sebastian Bach, Boston Pops Orchestra, Arthur Fiedler | G Major | 2 | 9B | 101 BPM | |
 | Thompson: Alleluia | Robert Shaw, Robert Shaw Chamber Singers | D Major | 1 | 10B | 134 BPM | |
 | Walt Whitman Overture, Op. 7, H. 42 | Gustav Holst, Ulster Orchestra, Joann Falletta | C Minor | 3 | 5A | 103 BPM | |
 | The Day Thou Gavest, Lord, Is Ended | Clement Cotterill Scholefield, John Rutter, John Scott, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | |
 | I Would be True | Traditional, John Rutter, The Cambridge Singers | D Major | 2 | 10B | 108 BPM | |
 | Telemann: Trumpet Concerto, TWV 51:D7: I. Adagio | Georg Philipp Telemann, Alison Balsom, Balsom Ensemble | D♭ Major | 1 | 3B | 65 BPM | |
 | Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": VI. Largo. Pastorale | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Major | 1 | 2B | 138 BPM | |
| Eternal God | John Rutter, John Scott, The Cambridge Singers | D♭ Major | 1 | 3B | 79 BPM | |
| Short Suite: Aria | David Lyon, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 0 | 9B | 75 BPM | |
 | Piae cantiones: Gaudate (Arr. J. Rutter & M. Neaum) | Anonymous, Farnham Youth Choir, Royal Philharmonic Orchestra, John Rutter | E Major | 1 | 12B | 82 BPM | |
 | What Sweeter Music | John Rutter, City of London Sinfonia, The Cambridge Singers | B Major | 0 | 1B | 89 BPM | |
| Lo How a Rose E'er Blooming | Michael Praetorius, The Cambridge Singers, John Rutter | F♯ Major | 1 | 2B | 107 BPM | |
 | Glazunov: The Seasons, Op. 67, Pt. 1 "Winter": No. 6, Snow Variation & No. 7, Coda | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | F Major | 1 | 7B | 128 BPM | |
 | Deck The Halls With Boughs Of Holly | Anonymous, John Alldis Choir, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 103 BPM | |
 | Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Choir of King's College, Cambridge, James Vivian, Stephen Cleobury | D Major | 1 | 10B | 99 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM |
- ISRC
- HKI199709304
- Label
- L-M Records/RCA Records