"Swamiye Saranam Ayyappa" by T. S. Ranganathan had its release date on January 1, 2001. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Swamiye Saranam Ayyappa's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 13 in Dhyanam by T. S. Ranganathan. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Swamiye Saranam Ayyappa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Swamiye Saranam Ayyappa by T. S. Ranganathan is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eesha Girisha Naresha | Vinu Mohan | D Major | 7 | 10B | 150 BPM | ||
| Sri Hanumanth Dhyanai | Malola Kannan | C Major | 4 | 8B | 114 BPM | ||
| Manada Mayilada | L. R. Eswari, T. S. Ranganathan | D Major | 4 | 10B | 114 BPM | ||
| Sri Suktam | M.Ramani Sastrigal | A♭ Major | 5 | 4B | 77 BPM | ||
| Medha Suktam | T.Sivaprasad, R.V. Sathyanarayanamurthy | B♭ Minor | 6 | 3A | 93 BPM | ||
| Bhagavad Gita Adhyay, Pt. 16 | Shrirang Bhave | G Minor | 1 | 6A | 104 BPM | ||
| En Appan Allava En Thaayum Allava Version 1 | Sivasri Skandaprasad | B♭ Minor | 7 | 3A | 158 BPM | ||
| Ganesha Stutihi | T. S. Ranganathan | B♭ Major | 4 | 6B | 140 BPM | ||
| Sri Venkatesa Karavalambam | Anuradha Krishnamoorthy | A Major | 5 | 11B | 134 BPM | ||
| Surya Stuti | Prasath Sai, Prakash Kumar | C Minor | 6 | 5A | 97 BPM | ||
| Muttu Pattu | V2S2 | D♭ Major | 6 | 3B | 110 BPM | ||
| Sri Varahi Nigrahastakam | Bhandhavi | B♭ Minor | 7 | 3A | 112 BPM | ||
| Malakshmi Ashtakam | Srikanth Sharma | E Major | 2 | 12B | 76 BPM | ||
| Suryanarayana Suprabhatam | Sridevi | F Minor | 8 | 4A | 175 BPM | ||
| Sri Varahi Kavacham | J. Bhakatavatsalam | E Major | 3 | 12B | 122 BPM | ||
| Paluku Tenela Talli | Vedavathi Prabhakar | F Minor | 6 | 4A | 161 BPM | ||
| Adarntha Vanangalai | Ayyappa Daasan | D Major | 4 | 10B | 97 BPM | ||
| Sudarsana Kavacham | Prof. Thiagarajan | B♭ Major | 4 | 6B | 96 BPM | ||
| Lakshmi Ashtothra Namavali | Mambalam Sisters Vijayalakshmi & Chitra | A Minor | 7 | 8A | 84 BPM | ||
| Laxmi Narasimha Stotram | Abhijeet Ghoshal | B Major | 4 | 1B | 100 BPM | ||
| Aanjaneyar Gayathri | Sivapuranam D. V. Ramani | F Major | 6 | 7B | 88 BPM | ||
| Guru Kavacha Sthosthram | Banglore Sisters | B Minor | 4 | 10A | 78 BPM | ||
| Lakshmi Narasimha Karavalamba Stotram | Shankara Sastry | B Major | 3 | 1B | 173 BPM | ||
| Sri Varahi Nigrahshtakam | J. Bhakatavatsalam | D Major | 5 | 10B | 78 BPM | ||
| Jayadurge Jayadurge | Vidyabhushana | G Major | 5 | 9B | 139 BPM |