"The Mastersinger Of Nuremberg, WWV 96 - 3. Aufzug Der Meistersinger" by Royal Philharmonic Orchestra had its release date on April 1, 2010. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 100 World Classical Masterpieces, so we believe that "The Mastersinger Of Nuremberg, WWV 96 - 3. Aufzug Der Meistersinger" is a single. In terms of popularity, The Mastersinger Of Nuremberg, WWV 96 - 3. Aufzug Der Meistersinger is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Mastersinger Of Nuremberg, WWV 96 - 3. Aufzug Der Meistersinger by Royal Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Glasgow Love Theme | Craig Armstrong | A Major | 1 | 11B | 79 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| The Prayer (feat. Only Boys Aloud) | Jonathan & Charlotte, Royal Philharmonic Orchestra, Only Boys Aloud | B Major | 3 | 1B | 79 BPM | ||
| Cello Suite No. 1 in G Major, BWV 1007: I. Prélude | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 73 BPM | ||
| The Apology/Nessun Dorma | Luciano Pavarotti, The Mirror Has Two Faces (Soundtrack) | D Major | 1 | 10B | 82 BPM | ||
| Nausicaä Requiem - from 'Nausicaä of the Valley of the Wind' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 1 | 8B | 80 BPM | ||
| Mancini: Moon River (From "Breakfast at Tiffany's") | Renaud Capuçon | C Major | 1 | 8B | 82 BPM | ||
| M6 I Puntata Tema the Garden of Innocence | Pino Donaggio | F♯ Major | 1 | 2B | 114 BPM | ||
| Skater's Waltz | Norddeutsche Philharmonie Symphony | D Major | 2 | 10B | 105 BPM | ||
| West Side Story: Selections for Orchestra | Orlando Pops Orchestra, Andrew Lane | C Major | 2 | 8B | 83 BPM | ||
| We Are The Champions | Royal Philharmonic Orchestra | B♭ Major | 3 | 6B | 101 BPM | ||
| La Boheme: "Musetta's Waltz" | Yuri Sazonoff & Jerry Caringi | A Major | 1 | 11B | 96 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| Ländler | Charlotte Guldberg, Hans Nielsen | F Major | 2 | 7B | 121 BPM | ||
| Canon in D | Johann Pachelbel, Rudolf Baumgartner, Lucerne Festival Strings | D Major | 1 | 10B | 126 BPM | ||
| Somewhere in Time: Main Theme (Arr. N. Raine for orchestra) | John Barry, Andy Vinter, Royal Philharmonic Orchestra, Nicholas Raine | C Major | 1 | 8B | 142 BPM | ||
| The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | ||
| Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt) | Ludwig van Beethoven, Riccardo Muti, James Morris, Philadelphia Orchestra | B♭ Major | 0 | 6B | 77 BPM | ||
| Octopussy (Arr. C. Egan) | Philharmonia Orchestra, Carl Davis | A♭ Major | 2 | 4B | 79 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| Suite Of Cotswold Folk Dances (1978): Constant Billy | Philip Lane, Royal Ballet Sinfonia, Gavin Sutherland | D Major | 1 | 10B | 96 BPM | ||
| Midsummer Night's Dream, Op. 61: No. 9, Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | ||
| Ever After Main Title | George Fenton | G Minor | 1 | 6A | 89 BPM | ||
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM |