"Death Talk and Jeep Approach" by Mort Garson had its release date on October 30, 2020. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Death Talk and Jeep Approach's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Didn't You Hear? by Mort Garson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Death Talk and Jeep Approach is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Death Talk and Jeep Approach by Mort Garson is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Dark Trees - 2004 Remaster | Brian Eno | F♯ Minor | 4 | 11A | 170 BPM | ||
| Marshall | Frank LoCrasto | D♭ Major | 6 | 3B | 91 BPM | ||
| I Ching | Ataraxia, Mort Garson | A Minor | 5 | 8A | 122 BPM | ||
| 破壊の塔 | Haircuts For Men | B♭ Minor | 5 | 3A | 87 BPM | ||
| Music for Advertising #4 | Mort Garson | F Major | 4 | 7B | 178 BPM | ||
| Centered Shell | yes/and | G Major | 2 | 9B | 81 BPM | ||
| Nogamigawa Funauta | Minoru Muraoka | F♯ Minor | 1 | 11A | 114 BPM | ||
| Les Fusées | Alain Goraguer | E♭ Major | 4 | 5B | 130 BPM | ||
| Lemonade | Tatsuhiko Asano | F Major | 4 | 7B | 134 BPM | ||
| Sail! Sail! | Mort Garson | C Major | 3 | 8B | 135 BPM | ||
| Dream Puppy | The Sweet Enoughs | F♯ Minor | 2 | 11A | 124 BPM | ||
| Where Do I Go | Mort Garson | B♭ Minor | 8 | 3A | 114 BPM | ||
| 最後の楽園 | Haruomi Hosono | F Major | 5 | 7B | 81 BPM | ||
| Yujia Forest | Windows 96 | B♭ Minor | 4 | 3A | 180 BPM | ||
| Kwop Kwop Theme | OTTO | A♭ Minor | 9 | 1A | 128 BPM | ||
| Night And Day | Raymond Scott | F♯ Major | 3 | 2B | 190 BPM | ||
| Green shower | Hiroshi Yoshimura | C Major | 1 | 8B | 64 BPM | ||
| Oasis | Ashra | D Major | 2 | 10B | 109 BPM | ||
| Untitled #3 | Bruce Haack | E Minor | 4 | 9A | 177 BPM | ||
| Ka-Cho-Fu-Getsu | Yasuaki Shimizu | F Minor | 3 | 4A | 81 BPM | ||
| Infinite Realm of Incomprehensible Suffering | Clown Core | A Major | 6 | 11B | 107 BPM | ||
| Histamine | Otto Benson | C Minor | 4 | 5A | 80 BPM | ||
| Deep Distance | Ashra | B Major | 2 | 1B | 87 BPM | ||
| Apogamy | Otto Benson | B♭ Minor | 4 | 3A | 170 BPM | ||
| Goldregen | Roedelius | C Major | 1 | 8B | 204 BPM |