Ruth Etting's 'It's a Sin to Tell a Lie' had a release date set for 2012. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. It's a Sin to Tell a Lie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 17 in Easy Come, Easy Go (Original Recordings 1931 -1937) by Ruth Etting. In terms of popularity, It's a Sin to Tell a Lie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of It's a Sin to Tell a Lie by Ruth Etting is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twentieth Century Blues (Cavalcade) | Noel Coward | A♭ Major | 1 | 4B | 114 BPM | ||
| The Prisoner's Song | Vernon Dalhart | D Major | 2 | 10B | 74 BPM | ||
| Humming to Myself | Henry Hall, The BBC Dance Orchestra | G Major | 5 | 9B | 93 BPM | ||
| He's So Unusual | Helen Kane | C Major | 2 | 8B | 120 BPM | ||
| Zonky | Clarence Williams | C Major | 2 | 8B | 120 BPM | ||
| A Blues Serenade - 78rpm Version | Glenn Miller & His Orchestra; Vocal by Smith Ballew | A♭ Major | 1 | 4B | 82 BPM | ||
| No Love, No Nothin' | Ella Mae Morse | C Major | 2 | 8B | 120 BPM | ||
| A Little Kiss Each Morning | Century Jukebox, Public Domain, Rudy Vallee and His Connecticut Yankees | A♭ Major | 3 | 4B | 94 BPM | ||
| It Was a Lover and His Lass | Maxine Sullivan | B♭ Major | 0 | 6B | 108 BPM | ||
| Green Eyes | Jimmy Dorsey, Bob Eberly, Helen O'Connell | C Major | 2 | 8B | 120 BPM | ||
| Lili Marlene | Anne Shelton | C Major | 2 | 8B | 120 BPM | ||
| Dangerous Nan McGrew | Helen Kane | C Major | 2 | 8B | 120 BPM | ||
| Do You Believe in Dreams? | Irving Aaronson and His Commanders | A♭ Major | 3 | 4B | 108 BPM | ||
| Happy Days Are Here Again | Jack Hylton & His Orchestra | C Major | 4 | 8B | 120 BPM | ||
| I Can't Believe That You're in Love With Me | Jack Payne | G Major | 3 | 9B | 124 BPM | ||
| That's My Weakness Now | Helen Kane | C Major | 2 | 8B | 120 BPM | ||
| What a Day | Parker Gibbs & Ted Weems Orchestra | C Major | 4 | 8B | 108 BPM | ||
| Donkey Serenade | Gracie Fields | B♭ Major | 3 | 6B | 115 BPM | ||
| An' Furthermore | Irving Aaronson and His Commanders | E♭ Major | 5 | 5B | 115 BPM | ||
| Under a Blanket of Blue | Glen Gray, Kenny Sargent, Casa Loma Orchestra | C Major | 2 | 8B | 120 BPM | ||
| My Reverie | Bea Wain | C Major | 2 | 8B | 120 BPM | ||
| My Man | Fanny Brice | F Minor | 2 | 4A | 74 BPM | ||
| Breezin' Along with the Breeze | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| It's Just the Time for Dancing | Henry Hall, The BBC Dance Orchestra | C Major | 3 | 8B | 126 BPM | ||
| I'll See You in My Dreams | Isham Jones | C Major | 2 | 8B | 120 BPM |