- BPM
- 114
- Key
- D Minor
- Camelot
- 7A
The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted by Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Harry Christophers Song Details
"The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted" by Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Harry Christophers had its release date on 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 16 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 2, On Mighty Pens Uplifted by Joseph Haydn, Handel and Haydn Society, Sarah Tynan, Harry Christophers to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
Music Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -24.023 dB
- Acousticness
- 98%
- Danceability
- 44%
- Energy
- 3%
- Instrumentalness
- 1%
- Liveness
- 13%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 14%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Solomon: Act I, scene 2 - No.14 Duet. Queen, Solomon "Welcome as the dawn of the day" | George Frideric Handel, Akademie für Alte Musik Berlin, Daniel Reuss, Sarah Connolly, Susan Gritton | B♭ Minor | 1 | 3A | 76 BPM | |
 | Semele, HWV 58 / Act 1: The Morning Lark To Mine Accords His Note | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | F Major | 1 | 7B | 140 BPM | |
 | Die Schöpfung, Hob. XXI:2, Erster Teil: II. Rezitativ mit Chor "Im Anfange schuf Gott Himmel und Erde" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Rudolf Rosen, Maximilian Schmitt | A♭ Major | 0 | 4B | 127 BPM | |
 | Requiem in C Minor, MH 155: VII. Requiem aeternam: Requiem aeternam – Cum sanctis tuis | Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King | D♭ Minor | 2 | 12A | 65 BPM | |
 | Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Agnus Dei et Communio | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 90 BPM | |
 | Orfeo ed Euridice: Act I, Scene 1, Orfeo: Chiamo il mio ben così | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Freiburger Barockorchester | F Major | 1 | 7B | 171 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 3. Arie. Quia fecit mihi magna (T) | Carl Philipp Emanuel Bach, Lothar Odinius, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F♯ Major | 3 | 2B | 139 BPM | |
 | Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | |
 | Great Mass in C Minor, K. 427: IV. Sanctus: Benedictus. Allegro comodo | Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Giulia Bolcato, Elionor Martínez, David Fischer, Matthias Winckhler, Le Concert Des Nations | A♭ Major | 1 | 4B | 126 BPM | |
 | Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria. "Es ist vollbracht" | Johann Sebastian Bach, Janet Baker, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 3 | 10B | 99 BPM | |
 | Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis | Gustav Mahler, Barbara Kubiak, Izabella Kłosińska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Warsaw Philharmonic Orchestra, Antoni Wit | F Major | 2 | 7B | 96 BPM | |
 | La Clemenza di Tito: Atto primo, scena I. No.1 Duetto Sesto, Vitellia "Come ti piace imponi" | Wolfgang Amadeus Mozart, Alexandrina Pendatchanska, Freiburger Barockorchester, René Jacobs, Bernarda Fink | C Major | 1 | 8B | 93 BPM | |
 | Ora Mi Sento Meglio | Gioachino Rossini, Riccardo Chailly | F Major | 1 | 7B | 76 BPM | |
 | Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenuto | Ludwig van Beethoven, Jordi Savall, Lina Johnson, Olivia Vermeulen, Martin Platz, Manuel Walser, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | |
 | Messe h-Moll, BWV 232: VI. Gloria "Laudamus te" | Johann Sebastian Bach, Orchester der J. S. Bach-Stiftung, Julia Doyle, Rudolf Lutz | E♭ Minor | 2 | 2A | 124 BPM | |
 | Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | |
 | Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" | Henry Purcell, Derek Lee Ragin, Thomas Allen, English Chamber Orchestra, Raymond Leppard | A Minor | 0 | 8A | 79 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: O namenlose Freude! | Ludwig van Beethoven, Nina Stemme, Jonas Kaufmann, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | |
| Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | |
 | Mass No.2 in G Major, D.167: III. Credo | Franz Schubert, Linda Kitchen, Ian Hare, Denis McCaldin, Haydn Society Orchestra | F Major | 0 | 7B | 159 BPM | |
 | Kyrie | Juergen Budday | A♭ Major | 1 | 4B | 101 BPM | |
 | Mass No. 2 in G Major, D. 167: II. Gloria | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Wiener Staatsopernchor | G Minor | 0 | 6A | 88 BPM | |
 | Beethoven: Missa solemnis in D Major, Op. 123: VI. Et incarnatus est | Ludwig van Beethoven, Herbert von Karajan, Agnes Baltsa, Gundula Janowitz, José van Dam, Peter Schreier, Wiener Singverein, Berliner Philharmoniker | A♭ Major | 1 | 4B | 126 BPM |
- ISRC
- GBEJP1513516
- Label
- L-M Records/RCA Records