Midnight Hour's 'Aftermath' had a release date set for September 30, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Midnight Hour's "Midnight Hour - Unplugged" album is number 3 out of 9. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, Aftermath is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Aftermath by Midnight Hour to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lonely Boy | Black Lab | E Major | 7 | 12B | 163 BPM | ||
| Bloodline Lullaby | Otherwise | C Major | 8 | 8B | 118 BPM | ||
| Chance to Say Goodbye | Jamie Harrison | D Major | 2 | 10B | 159 BPM | ||
| Howlin' (feat. Jessie James Decker) | Austin John, Jessie James Decker | D♭ Major | 8 | 3B | 100 BPM | ||
| Tired Eyes | Green or Blue | C Major | 8 | 8B | 158 BPM | ||
| Unlovable | DIAMANTE | E Minor | 5 | 9A | 74 BPM | ||
| Till the World Stops Turning | Kaleb Jones | E Major | 1 | 12B | 120 BPM | ||
| Be the Same | Ravenscode | B♭ Major | 8 | 6B | 160 BPM | ||
| Never Be Enough | Sent By Ravens | A Minor | 4 | 8A | 136 BPM | ||
| Change My Name | Trading Yesterday | F♯ Major | 6 | 2B | 168 BPM | ||
| Worth the Fight (Acoustic Version) | No Resolve | B Major | 5 | 1B | 135 BPM | ||
| Here I Am | Line So Thin | G Minor | 8 | 6A | 145 BPM | ||
| Proving My Love | Obi Ferguson | F Major | 1 | 7B | 172 BPM | ||
| What It's Like To Be Lonely | Tyler Ward | D Major | 6 | 10B | 84 BPM | ||
| Always Been You | Stage Dive | F♯ Minor | 5 | 11A | 82 BPM | ||
| Higher and Higher | Scars On 45 | C Major | 5 | 8B | 178 BPM | ||
| Ashes | Arrows to Athens | B Minor | 8 | 10A | 134 BPM | ||
| Concrete Angel (acoustic) | Christina Novelli | D Major | 3 | 10B | 105 BPM | ||
| Out of the Shadows | Matthew Perryman Jones | F♯ Major | 5 | 2B | 168 BPM | ||
| Echo | Jason Walker | A♭ Major | 4 | 4B | 148 BPM | ||
| Anything at All - Orchestral Version | Dead by April | F Minor | 5 | 4A | 105 BPM | ||
| Never Be The Same | Red | D♭ Major | 9 | 3B | 156 BPM | ||
| Falling to Pieces / Parasails | Junior Doctor | E♭ Major | 8 | 5B | 120 BPM | ||
| When Love Collides | Midnight Hour | E Major | 7 | 12B | 76 BPM | ||
| I Still Love You | Josh Jenkins | A♭ Major | 4 | 4B | 120 BPM |