"Lab.Oratorium: Grodek" by Philippe Manoury, François-Xavier Roth, SWR Vokalensemble, Gürzenich Orchester Köln had its release date on April 9, 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Philippe Manoury: Lab.Oratorium". In this album, this song's track order is #4. Lab.Oratorium: Grodek is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lab.Oratorium: Grodek by Philippe Manoury, François-Xavier Roth, SWR Vokalensemble, Gürzenich Orchester Köln having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sírt-tér for Violoncello and Chamber Orchestra | Márton Illés, Nicolas Altstaedt, Munich Chamber Orchestra, Bas Wiegers | D♭ Minor | 2 | 12A | 80 BPM | ||
| 60e Parallele (60th Parallel): Non, non. C'est toujours le meme. | Philippe Manoury, Jean-Philippe Courtis, Menai Davies, Hedwig Fassbender, Paul Gay, Rie Hamada, Marie Therese Keller, Donald Maxwell, Jean-Marc Salzmann, Ian Thompson, Orchestre de Paris, David Robertson | D Major | 2 | 10B | 84 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: II. Scherzo. Allegro molto | Erich Wolfgang Korngold, Calidore String Quartet | D♭ Minor | 2 | 12A | 80 BPM | ||
| String Quartet: III. Fàpmu | Bjorn Arntsen, Towha | C Minor | 0 | 5A | 173 BPM | ||
| Quarteto de flautas n.º 3: Caminhos lindos | Andrea Ernest Dias, Carlos Malta, Aline Gonçalves, Eduardo Neves | A♭ Major | 1 | 4B | 100 BPM | ||
| Neptune: I | Philippe Manoury, Donatienne Michel-Dansac, Roland Auzet, Eve Payeur, Florent Jodelet | E Major | 2 | 12B | 63 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | D♭ Minor | 2 | 12A | 80 BPM | ||
| Introspection, Pt. 2 (classical theater work) | Renato Di Prinzio | D Major | 1 | 10B | 116 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Revelation in a Bottle | Soundscapes of Serenity | C Major | 2 | 8B | 122 BPM | ||
| Pulsar 167 - En Vivo | Jimmy Herrera, Juan María Alfredo Herrera | D Major | 3 | 10B | 108 BPM | ||
| Press One | Jack Sheen, Apartment House | D♭ Minor | 2 | 12A | 80 BPM | ||
| Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 2, Alla Serenata | Erwin Schulhoff, Leonkoro Quartet | D♭ Minor | 2 | 12A | 80 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Choralgesänge: No. 91, Es ist genug; so nimm, Herr, meinen Geist (O Ewigkeit, du Donnerwort), BWV 60 | Johann Sebastian Bach, Alessandro Simonetto | D♭ Minor | 2 | 12A | 80 BPM | ||
| Fight for It (Live) | Marina Frescobaldi | A♭ Major | 2 | 4B | 77 BPM | ||
| 最期のキリエ/もう一つのキリエ | 子羊の群れキリスト教会 | B♭ Major | 0 | 6B | 83 BPM | ||
| Solace in Hard Work | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | D♭ Minor | 2 | 12A | 80 BPM | ||
| Stellar Voice | Astrid Voix | D♭ Minor | 2 | 12A | 80 BPM | ||
| To The Forefront | Ryan Erik Adamsons, Zephyr Brass Collective, Joe Smith | E♭ Major | 2 | 5B | 104 BPM | ||
| String Quartet No. 15 in E-Flat Minor, Op. 144: VI. Epilogue. Adagio | Dmitri Shostakovich, Cuarteto Casals | D♭ Major | 0 | 3B | 81 BPM | ||
| Track 2 | David Smur | B♭ Minor | 2 | 3A | 94 BPM | ||
| Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | ||
| Cello Concerto, C. 65: II. Allegro appassionato | William Walton, Sinfonia Of London, John Wilson, Jonathan Aasgaard | E♭ Minor | 1 | 2A | 109 BPM |