Bushido Girl's ' "Somewhere Between Soundcheck and Showtime the Digital Setlist Became Self-Aware and Started Updating the Opening Band’s Song Titles Because They Were Too Vanilla" was released on its scheduled release date, November 4, 2025. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Somewhere Between Soundcheck and Showtime the Digital Setlist Became Self-Aware and Started Updating the Opening Band’s Song Titles Because They Were Too Vanilla's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Shamisen Metal That Hits Hard". In this album, this song's track order is #11. In terms of popularity, Somewhere Between Soundcheck and Showtime the Digital Setlist Became Self-Aware and Started Updating the Opening Band’s Song Titles Because They Were Too Vanilla is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Somewhere Between Soundcheck and Showtime the Digital Setlist Became Self-Aware and Started Updating the Opening Band’s Song Titles Because They Were Too Vanilla by Bushido Girl having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Six Over Ten | Anonymous | E Minor | 5 | 9A | 180 BPM | ||
| Worship the Dark Matron | VibecraftTwo | G Minor | 8 | 6A | 132 BPM | ||
| Paradise, Paradise (From "Deltarune") | Dethraxx | F♯ Minor | 8 | 11A | 174 BPM | ||
| Quiero Y No Se Porque | Loreno Fortuna | D♭ Minor | 7 | 12A | 200 BPM | ||
| Ice in Her Veins, Fire in Her Frame | Lofi Metal | B Minor | 9 | 10A | 100 BPM | ||
| Cape Town Calling | Wolf Voltage | D♭ Minor | 9 | 12A | 112 BPM | ||
| Protocol Z | Farran Ez | F♯ Minor | 8 | 11A | 174 BPM | ||
| Máquina De Cardio | Puro GyM | E Minor | 7 | 9A | 138 BPM | ||
| Fragments of Time | Pollák Máté | F♯ Minor | 8 | 11A | 174 BPM | ||
| Tenebre Rosso Sangue | Dethraxx | F♯ Minor | 8 | 11A | 174 BPM | ||
| Fluffy Fox | Rowan auxley | E♭ Minor | 7 | 2A | 162 BPM | ||
| Lithium | Croum | F♯ Minor | 8 | 11A | 174 BPM | ||
| Beethoven X Mozart (Revisited) | Doğukan Öztürk | E♭ Major | 7 | 5B | 108 BPM | ||
| Desert Siege | Sandstorm Serenade | D Major | 8 | 10B | 177 BPM | ||
| Concrete Jungle | Angelo Marceau | G Major | 9 | 9B | 94 BPM | ||
| Ragnarök Waltz - Remastered 2025 | Sandstorm Serenade | B Minor | 7 | 10A | 170 BPM | ||
| Warrior's Yume | Panda Beats, Idowntno, BeaTraxx | E♭ Minor | 6 | 2A | 138 BPM | ||
| Went Back Into the Flames on a Loot Retrieval Mission Worth 10 Levels and Made It Back FTW | Bushido Girl | F♯ Minor | 8 | 11A | 174 BPM | ||
| Sky Lanterns | Moonvale | A Minor | 9 | 8A | 120 BPM | ||
| Fight for Sushi | Smoke-Oh | D Major | 8 | 10B | 192 BPM | ||
| Discordant Echoes | Cameron Carter | D Major | 9 | 10B | 120 BPM | ||
| 侍SpiritDrive, Vol.1 | Samurai Girl | A Minor | 8 | 8A | 96 BPM | ||
| Full Circle | Sudhanshu Mishra | G Major | 5 | 9B | 120 BPM | ||
| Wasted Prayers | George Gothier | A Major | 8 | 11B | 160 BPM | ||
| Beethoven: Piano Sonata No. 8 in C Minor, Op. 13, Pathétique, III. Rondo | Ryoji Shinomoto, Wataru Mukai | F♯ Minor | 8 | 11A | 174 BPM |