- BPM
- 90
- Key
- D♭ Major
- Camelot
- 3B
Sklave, wer wird dich befreien: Sklave, wer wird dich befreien by Hanns Eisler, Berlin Singakademie, Berlin Radio Orchestra, Dietrich Knothe, Hermann Hahnel Song Details
Hanns Eisler, Berlin Singakademie, Berlin Radio Orchestra, Dietrich Knothe, Hermann Hahnel's 'Sklave, wer wird dich befreien: Sklave, wer wird dich befreien' had a release date set for 1997. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Sklave, wer wird dich befreien: Sklave, wer wird dich befreien's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 24 in EISLER, H.: Choral Music (Berlin Singakademie, Leipzig Radio Chorus) by Hanns Eisler, Leipzig Radio Chorus, Berlin Singakademie, Horst Neumann, Ekkehard Wagner, Berlin Radio Orchestra, Dietrich Knothe, Leipzig Radio Chorus, male section, Hilmar Thate, Rudi Liebetrau, Hermann Hahnel, Inge Kochan, Harri Heinze, MDR Leipzig Radio Chorus, Berlin Singakademie, Horst Neumann, Berlin Radio Orchestra, Dietrich Knothe, Leipzig Radio Chorus, male section. In terms of popularity, Sklave, wer wird dich befreien: Sklave, wer wird dich befreien is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
The tempo marking of Sklave, wer wird dich befreien: Sklave, wer wird dich befreien by Hanns Eisler, Berlin Singakademie, Berlin Radio Orchestra, Dietrich Knothe, Hermann Hahnel is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
Music Key
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 4%
- Loudness
- -11.892 dB
- Acousticness
- 98%
- Danceability
- 50%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 80%
- Speechiness
- 4%
- Valence
- 22%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Song of the Ural Cossacks (feat. Russian Festival Ensemble) | Ural Cossacks Choir, Russian Festival Ensemble | E Minor | 4 | 9A | 81 BPM | |
 | Amphigouri & La prise de la Bastille | Anonymous, Les Lunaisiens, Jean-François Novelli, Hugues Primard, Arnaud Ledu, Mélanie Flahaut, Joël Grare | G Major | 5 | 9B | 78 BPM | |
 | Die Dreigroschenoper: Akt II, Die Ballade von der sexuellen Hörigkeit ("Da ist nun einer schon der Satan selber") | Kurt Weill, Trude Hesterberg, Wilhelm Brückner-Rüggeberg | C Minor | 1 | 5A | 76 BPM | |
 | Ständchen, Op. 135, D. 920: Standchen (Serenade), Op. 135, D. 920 | Franz Schubert, Astrid Pilzecker, Bernd Casper, Berlin Radio Chorus, male section, Dietrich Knothe | E Major | 1 | 12B | 88 BPM | |
 | Du laß' dich nicht verhärten | Wolf Biermann | F♯ Major | 8 | 2B | 62 BPM | |
 | Unser Liebe Fraue | Jaakao | F Minor | 3 | 4A | 98 BPM | |
 | Der Pfahl | Reinig, Braun + Böhm | B♭ Major | 1 | 6B | 86 BPM | |
 | Marusha (feat. Uzory) | Ural Cossacks Choir, Uzory | F Minor | 5 | 4A | 127 BPM | |
 | La Marseillaise | Alexandrov Red Army Choir | G Minor | 2 | 6A | 147 BPM | |
 | Hymn of Bolshevik Party of the Urss | Soldier Chorus | E Major | 8 | 12B | 80 BPM | |
 | Partisans Songs | Houria Aichi | A♭ Minor | 2 | 1A | 99 BPM | |
 | Le chant des ouvriers | Marc Ogeret | C Major | 4 | 8B | 127 BPM | |
 | Katjusha (1938) | T. Syniavska | B♭ Minor | 3 | 3A | 131 BPM | |
 | Ernste Gesänge: VIII. Epilog | Hanns Eisler, Matthias Goerne, Ensemble Resonanz | D♭ Major | 1 | 3B | 91 BPM | |
 | Liberation Go Forward | The Chinese Red Army Choir | C Minor | 2 | 5A | 79 BPM | |
 | Without the Communist Party, There Would be No New China | CCP | B♭ Major | 7 | 6B | 122 BPM | |
 | Ein Bier | Männergesanksverein Strenngen | B♭ Major | 2 | 6B | 89 BPM | |
 | Marsch der Nationalen Volksarmee (1958) | Chor und Orchster des Erich-Weinert-Ensembles | A♭ Major | 6 | 4B | 61 BPM | |
 | Kapitalistenlied | Georg Kreisler | A♭ Major | 3 | 4B | 113 BPM | |
 | Bella Ciao | Commandantes | D Minor | 9 | 7A | 186 BPM | |
 | In einem kühlen Grunde | Comedian Harmonists | B♭ Major | 1 | 6B | 86 BPM | |
 | Es war in den Tagen der August | Erich-Weinert-Ensemble | F Minor | 6 | 4A | 117 BPM | |
 | Das Lied vom SA-Mann | Hanns Eisler, Katja Ebstein | D Major | 1 | 10B | 104 BPM | |
 | Der Todt Reitet Auf Einem Kohlschwarzen Rappen | German Choir | A♭ Major | 2 | 4B | 72 BPM | |
 | Di mesinke - Live | Zupfgeigenhansel | E Minor | 5 | 9A | 132 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records