"Songs of Springtime: No. 3, Spring, the Sweet Spring" by Ernest John Moeran, Londinium, Andrew Griffiths had its release date on March 16, 2018. With This song being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "The Gluepot Connection". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. Songs of Springtime: No. 3, Spring, the Sweet Spring is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs of Springtime: No. 3, Spring, the Sweet Spring by Ernest John Moeran, Londinium, Andrew Griffiths having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade in G Major, R. 95: II. Intermezzo. Allegretto | Ernest John Moeran, Vernon Handley, Ulster Orchestra | E Minor | 1 | 9A | 63 BPM | ||
| Elegy, Op. 58 | Edward Elgar, English Chamber Orchestra, Paul Goodwin | F Minor | 0 | 4A | 106 BPM | ||
| In the Mountain Country, R. 10 | Ernest John Moeran, Vernon Handley, Ulster Orchestra | D Minor | 0 | 7A | 75 BPM | ||
| From Honey to Ashes: VIII. Alba | Stephen Goss, Francisco Correa, Emily Andrews | G Major | 0 | 9B | 139 BPM | ||
| 6 Norfolk Folksongs: No. 1, Down by the Riverside | Ernest John Moeran, Marcus Farnsworth, John Talbot | E Minor | 3 | 9A | 129 BPM | ||
| Evening Song (Arr. J. Lloyd Webber for 2 cellos and piano) | John Ireland, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | E♭ Major | 1 | 5B | 99 BPM | ||
| Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
| Gaspard de la nuit: I. Ondine (arr. M. Constant for orchestra) | Maurice Ravel, フランス国立リヨン管弦楽団, レナード・スラットキン | D♭ Major | 0 | 3B | 115 BPM | ||
| Fauré: Pelléas et Mélisande Suite, Op. 80: IV. La mort de Mélisande. Molto adagio | Gabriel Fauré, Armin Jordan, Orchestre de Chambre de Lausanne | D Minor | 0 | 7A | 79 BPM | ||
| Concerto per voci e strumenti: I. Furioso | Lepo Sumera, Amsterdam Sinfonietta, Candida Thompson, Netherlands Chamber Choir, Martina Batič | A Minor | 3 | 8A | 125 BPM | ||
| Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
| Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
| Color Field: I. Yellow | Anna Clyne, Baltimore Symphony Orchestra, Marin Alsop | G Major | 1 | 9B | 98 BPM | ||
| Brian: Symphony No. 7 in C Major: I. Allegro moderato | Havergal Brian, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | G Major | 0 | 9B | 139 BPM | ||
| Rakastava, Op. 14: I. The Lover. Andante con moto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | B♭ Major | 0 | 6B | 72 BPM | ||
| Britten: Young Apollo, Op. 16 | Benjamin Britten, Martin James Bartlett, Mozarteumorchester Salzburg, Howard Griffiths | G Major | 0 | 9B | 139 BPM | ||
| Symphony in C Major, Op. 46: II. Sehr langsam - | Hans Pfitzner, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 87 BPM | ||
| Pelléas et Mélisande, Op. 80, Suite: I. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
| Woodland Suite: I. At Evening Bell | George Dyson, BBC Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 96 BPM | ||
| Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A♭ Major | 0 | 4B | 94 BPM | ||
| English Suite: Meditation | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 0 | 8A | 61 BPM | ||
| Masques et Bergamasques, suite, Op.112: 4. Pastorale | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 72 BPM | ||
| Dances: No. 2, Passacaglia | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | G Major | 0 | 9B | 139 BPM | ||
| Danzas fantásticas, Op. 22: II. Ensueño | Joaquín Turina, Juanjo Mena, BBC Philharmonic | F Major | 1 | 7B | 128 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | G Major | 0 | 9B | 139 BPM |