"Romance, Op. 2" by Joachim Raff, Allegra Ciancio had its release date on November 21, 2025. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joachim Raff, Allegra Ciancio's "Joachim Raff: Piano Works" album is number 1 out of 11. On top of that, Italy appears to be the country where this track was created. Romance, Op. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romance, Op. 2 by Joachim Raff, Allegra Ciancio to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Benvenuto Cellini, Op. 23, H 76, Act I: Ouverture | Hector Berlioz, Sir Colin Davis, London Symphony Orchestra | C Major | 2 | 8B | 63 BPM | ||
| Aurora Reverb | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| 夢のあとに | 小島妙子, 徳永兼一郎 | F Minor | 3 | 4A | 87 BPM | ||
| Symphony No. 4 in C minor, D. 417 "Tragic" IV. Allegro | Franz Schubert, Paavo Järvi, Deutsche Kammerphilharmonie Bremen | C Minor | 1 | 5A | 139 BPM | ||
| Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM | ||
| Piano Concerto for the Left Hand No. 2: III. Finale | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
| Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
| Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Minor | 0 | 2A | 90 BPM | ||
| Falla: Noches en los jardines de España: I. En el Generalife | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | F Minor | 2 | 4A | 99 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Sinfonietta, FP 141: IV. Finale | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | B♭ Major | 1 | 6B | 79 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Dvořák: String Sextet in A Major, Op. 48, B. 80: III. Furiant. Presto | Antonín Dvořák, Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger | A Major | 1 | 11B | 130 BPM | ||
| Le rouet d'Omphale, Op. 31: Le Rouet d'Omphale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Major | 0 | 10B | 121 BPM | ||
| Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | Max Bruch, Niek Baar, Deutsche Radio Philharmonie, Christoph Poppen | E♭ Major | 1 | 5B | 112 BPM | ||
| Concerto for Violin & Orchestra in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Tassilo Probst, Thessaloniki State Symphony Orchestra, Daniel Geiss | F Minor | 2 | 4A | 99 BPM | ||
| Serenade No. 1 in D Major, Op. 9: I. Andante | Robert Fuchs, Kolner Kammerorchester, Christian Ludwig | C Minor | 1 | 5A | 111 BPM | ||
| Suite for Stor Orkester: IV. Finale. Allegro ben Moderato | Helena Munktell, Gävle Symphony Orchestra, Tobias Ringborg | E♭ Major | 2 | 5B | 138 BPM | ||
| Concerto for 2 Pianos, FP. 61: III. Allegro molto | Francis Poulenc, Leonard Bernstein, New York Philharmonic, Artur Gold, Robert Fizdale | A Minor | 3 | 8A | 100 BPM | ||
| Symphonie fantastique, H. 48: II. Un bal. Valse | Hector Berlioz, Deutsches Symphonie-Orchester Berlin, Nicolò Umberto Foron | A Major | 1 | 11B | 72 BPM | ||
| Violin Sonata No. 2 in G Major, Op. 13: II. Allegretto tranquillo | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Symphony in C Major, GB 115: II. Adagio | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | A Minor | 0 | 8A | 117 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato – | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM |