Defective Audio, Karl Davis's 'We Came To Get On Down - Mix Cut' had a release date set for September 27, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Total Domination by Dom Sweeten". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, We Came To Get On Down - Mix Cut's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With We Came To Get On Down - Mix Cut by Defective Audio, Karl Davis having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hot Tamale - Defective Audio Remix - Mix Cut | Munkjack, Defective Audio | G Major | 10 | 9B | 149 BPM | ||
| Elecctric Dreamsa pe | Michael Michael Reynolds | F♯ Minor | 2 | 11A | 142 BPM | ||
| Shake It Up | Agent Jack | D♭ Major | 10 | 3B | 145 BPM | ||
| Neon Lights | Lisa Lashes | B♭ Minor | 10 | 3A | 147 BPM | ||
| Heavy Storm - Original Mix | Ichikai | A Major | 10 | 11B | 140 BPM | ||
| Share | Kevinlernes | D Minor | 7 | 7A | 145 BPM | ||
| Feel This Good | Max Mozart | F♯ Minor | 10 | 11A | 150 BPM | ||
| The Danger - Nick Sentience Remix | The Tidy Boys, Technikal, Nick Sentience | A Minor | 10 | 8A | 142 BPM | ||
| Our Sanctuary (The Tidyland Theme) - Mix Cut | Lee Haslam, Rion S | G Major | 10 | 9B | 150 BPM | ||
| Floorburn | Defective Audio | B♭ Minor | 10 | 3A | 152 BPM | ||
| Tatto Pa 2 | Midhanz | F♯ Minor | 7 | 11A | 141 BPM | ||
| Be There - Mix Cut | Anne Savage, Tom Berry | A Major | 9 | 11B | 150 BPM | ||
| Get Wicked - Original Mix | Hilly | G Major | 10 | 9B | 150 BPM | ||
| Beyond The Gate - Commercial Mix 5 | Dyn Taylor | B Minor | 10 | 10A | 142 BPM | ||
| Til Tears Do Us Part - Flash Harry Remix - Mix Cut | Heaven's Cry, Flash Harry | G Major | 9 | 9B | 147 BPM | ||
| Deviant Behaviour - 2009 Remix | Defective Audio | F♯ Minor | 10 | 11A | 151 BPM | ||
| House Always Wins (Mixed) | Base Graffiti | G Major | 10 | 9B | 146 BPM | ||
| Radio Telescope - Mix Cut | Ben Stevens, Defective Audio | F♯ Minor | 10 | 11A | 150 BPM | ||
| Maximum NRG | Defective Audio | F♯ Minor | 10 | 11A | 150 BPM | ||
| Habanero - Mixed | Dave Curtis, Defective Audio | G Major | 10 | 9B | 153 BPM | ||
| IN Fusion | TUMAKA, Franc.Marti, Bad Teckno | D♭ Major | 10 | 3B | 144 BPM | ||
| The Dawn - Paul Janes Remix - Mix Cut | Tony De Vit, Paul Janes | D♭ Major | 10 | 3B | 148 BPM | ||
| New Dawn Rises (FSOE939) | Dan Cooper | B♭ Minor | 9 | 3A | 140 BPM | ||
| System Shock - Mix Cut | Carl Nicholson, Technikal | A Minor | 10 | 8A | 148 BPM | ||
| Acid Rave | Atrax | F♯ Major | 10 | 2B | 150 BPM |