"Last Ride Back to KC" by Nick Cave & Warren Ellis had its release date on October 22, 2007. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "The Assassination of Jesse James by the Coward Robert Ford (Music From The Original Motion Picture Soundtrack)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Last Ride Back to KC is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Last Ride Back to KC by Nick Cave & Warren Ellis having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dora Mae's Funeral | Jeff Beal | F Major | 2 | 7B | 68 BPM | ||
| All Farewells are Sudden | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | F♯ Major | 0 | 2B | 134 BPM | ||
| Olive Opening (From "Olive Kitteridge") | Brussells Philharmonic, Dirk Brossé | C Major | 0 | 8B | 75 BPM | ||
| Je Suis Vivant | Martin Phipps | B♭ Minor | 0 | 3A | 79 BPM | ||
| I Am Become Death | Ben Salisbury, Geoff Barrow | B♭ Minor | 0 | 3A | 132 BPM | ||
| End Credits | Harry Escott | G Minor | 0 | 6A | 123 BPM | ||
| Water Theme No.3 | Hanan Townshend | D Minor | 1 | 7A | 131 BPM | ||
| Bedroom | Mica Levi | G Major | 0 | 9B | 85 BPM | ||
| Solomon | Hans Zimmer | E Minor | 1 | 9A | 59 BPM | ||
| The Wheel | Woody Jackson | C Minor | 2 | 5A | 142 BPM | ||
| Suspects | Ólafur Arnalds | E♭ Minor | 3 | 2A | 145 BPM | ||
| Billy's Theme (feat. Sharon Isbin) | Howard Shore, Sharon Isbin | A Major | 1 | 11B | 80 BPM | ||
| Montage | Fernando Velázquez | A Major | 0 | 11B | 68 BPM | ||
| Prelude For Time Feelers | Eluvium | D Major | 3 | 10B | 115 BPM | ||
| The Carnivàle Convoy | Jeff Beal | D Major | 1 | 10B | 121 BPM | ||
| Brandon | Harry Escott | G Minor | 1 | 6A | 120 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Sad Violin Thing | Nick Cave & Warren Ellis | F♯ Major | 0 | 2B | 104 BPM | ||
| The Dark Room | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 75 BPM | ||
| The Hunt | Jonny Greenwood | B♭ Major | 4 | 6B | 90 BPM | ||
| Peace Reprise | Paul Kelly | D Major | 1 | 10B | 137 BPM | ||
| Omni | Daniel Lanois | D♭ Major | 3 | 3B | 125 BPM | ||
| Happy Land | Nick Cave & Warren Ellis | C Major | 2 | 8B | 70 BPM | ||
| Alma | Jonny Greenwood | C Major | 1 | 8B | 99 BPM | ||
| Torn Polaroid | Trent Reznor and Atticus Ross | C Minor | 1 | 5A | 68 BPM |