"We Will Stand Together (based on Variations on an Original Theme, Op.36 "Nimrod")" by Edward Elgar, Russell Watson, Paul Bateman, Royal Philharmonic Orchestra had its release date on January 1, 2005. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 14 in Amore Musica + Bonus Track by Russell Watson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. We Will Stand Together (based on Variations on an Original Theme, Op.36 "Nimrod") is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of We Will Stand Together (based on Variations on an Original Theme, Op.36 "Nimrod") by Edward Elgar, Russell Watson, Paul Bateman, Royal Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Concerto No. 1 in G minor, Op. 26: 1. Vorspiel (Allegro moderato) | Max Bruch, Julia Fischer, Tonhalle-Orchester Zürich, David Zinman | E♭ Major | 1 | 5B | 170 BPM | ||
| Serenade for String Orchestra in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | G Major | 2 | 9B | 98 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| 21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Johannes Brahms, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 1 | 7B | 84 BPM | ||
| Minuet in A major, D. 334 | Franz Schubert, Arcadi Volodos | A Major | 0 | 11B | 92 BPM | ||
| Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | ||
| Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
| Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
| Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
| 4 Impromptus, D. 899 (Op. 90): No. 3 in G-Flat Major. Andante | Franz Schubert, Krystian Zimerman | F♯ Major | 0 | 2B | 61 BPM | ||
| Symphony No. 6 in B Minor, Op. 74 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Kirill Petrenko | G Major | 3 | 9B | 81 BPM | ||
| Satie / Orch. Debussy: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 82 BPM | ||
| Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
| Variations on a theme by Haydn, Op. 56a "St. Anthony Variations": Thema, "Chorale St. Antoni". Andante | Johannes Brahms, Pittsburgh Symphony Orchestra, Marek Janowski | B♭ Major | 0 | 6B | 175 BPM | ||
| Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
| Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM |