Andrea Falconieri, La Ritirata, Josetxu Obregon's ' "Corrente detta L'Auellina" was released on its scheduled release date, November 30, 2017. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 20 in Concierto Barroco by La Ritirata, Josetxu Obregon. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Corrente detta L'Auellina is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Corrente detta L'Auellina by Andrea Falconieri, La Ritirata, Josetxu Obregon is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3e livre de viole: Grand Ballet (Extrait du IIIe Livre) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | A♭ Minor | 0 | 1A | 101 BPM | ||
| Sonata Seconda detta la Desperata | Carlo Farina, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | F♯ Minor | 1 | 11A | 131 BPM | ||
| Una sarao de la chacona, "a la vida bona" | Juan Arañés, Piffaro | F♯ Major | 2 | 2B | 140 BPM | ||
| Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
| Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
| Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
| Improvisation [Harpsichord] | Il Giardino Armonico | E♭ Minor | 1 | 2A | 131 BPM | ||
| Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
| Il primo libro di Canzone, Sinfonie, Fantasie, Capricci, Brandi, Correnti, Gagliarde, Alemanne, Volte: La suave melodia | Andrea Falconieri, Nicolas Achten | G Major | 2 | 9B | 96 BPM | ||
| Danza de la Hacha (arr. V. Dumestre) | Vincent Dumestre, Luis de Briceño, Poeme Harmonique | C Major | 2 | 8B | 145 BPM | ||
| Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
| Diferencias Sobre el Canto de "La Dama le Demanda" | Antonio de Cabezón, Doulce Mémoire, Denis Raisin-Dadre | E♭ Minor | 1 | 2A | 152 BPM | ||
| Viola da Gamba Suite in D Minor: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 105 BPM | ||
| Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens/Les Talens Lyriques/Christophe Rousset, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
| The Fairy Queen, Z. 629: Rondeau | Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin | A Major | 1 | 11B | 124 BPM | ||
| Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM | ||
| Dansereye (1551): Passe e medio/ Reprise 'Le Pingue' | Tylman Susato, New London Consort, Philip Pickett | D Minor | 1 | 7A | 170 BPM | ||
| Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
| Suite in G Major: I. Prélude | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| Suite in G Major: IV. Aria Burlesca | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 2 | 2B | 101 BPM | ||
| La Mia Barbara, P 95 | John Dowland, Paul O'Dette | C Minor | 0 | 5A | 83 BPM | ||
| Suite in G Major: I. Preludio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 92 BPM | ||
| Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
| 5e livre de viole: Chaconne | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | D Major | 0 | 10B | 98 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM |