"Lost Century" by Craig Armstrong had its release date on October 24, 2011. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Craig Armstrong's "In Time (Original Motion Picture Score)" album is number 2 out of 25. On top of that, United States appears to be the country where this track was created. Lost Century is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lost Century by Craig Armstrong to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In Half-Light of the Canyon | Mark Isham | B Minor | 1 | 10A | 73 BPM | ||
| A Journey to Hogwarts | Nicholas Hooper | A Minor | 1 | 8A | 78 BPM | ||
| Basically Flying | Kevin Smuts | A Minor | 1 | 8A | 82 BPM | ||
| My Sanctuary | Amelia Warner | F Major | 1 | 7B | 63 BPM | ||
| End Credits (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 141 BPM | ||
| Wake of Death - Reunited | Guy Farley | C Minor | 1 | 5A | 61 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Pain, Loss & Love | Rupert Gregson-Williams | F Major | 0 | 7B | 85 BPM | ||
| Una luce nell'anima | Andrea Guerra | E Minor | 0 | 9A | 109 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| The Breaking of the Fellowship (feat. "In Dreams") | Howard Shore, Edward Ross | D Major | 1 | 10B | 79 BPM | ||
| Corn Exchange | Craig Armstrong | G Major | 1 | 9B | 74 BPM | ||
| King's Cross | Amelia Warner | D Minor | 3 | 7A | 109 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| Flawless My Dear | Kris Bowers | D Major | 2 | 10B | 98 BPM | ||
| Journey To Uppercross | Stuart Earl | E Minor | 2 | 9A | 80 BPM | ||
| Japan | Jan A.P. Kaczmarek | A Minor | 2 | 8A | 75 BPM | ||
| Images Of The Past | Gabriel Yared | C Minor | 2 | 5A | 71 BPM | ||
| Lonely Roscuro | William Ross | A Minor | 0 | 8A | 68 BPM | ||
| A Last Reading | Adrian Johnston | F Major | 0 | 7B | 77 BPM | ||
| Rose Garden | Adrian Johnston | E Major | 0 | 12B | 83 BPM | ||
| Love Actually Opening - Extended Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik | C Major | 0 | 8B | 97 BPM | ||
| Hometown Hero | William Ross | A♭ Major | 1 | 4B | 79 BPM |