Datta Boy's 'Call Me' had a release date set for June 29, 2017. Call Me is considered explicit and may contain foul language. This song is about 3 minutes and 23 seconds, which is about the average length of a typical song. The song is number 2 out of 10 in Black Ink by Datta Boy. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. The popularity of Call Me is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Call Me by Datta Boy is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| RAPTIONARY | Al-Zill | B♭ Minor | 8 | 3A | 140 BPM | ||
| Run The Jungle | Voli Contra, Knives At Sea | B♭ Minor | 9 | 3A | 119 BPM | ||
| Unapologetic | Wav Haven, Anthony Mareo, Frank Bentley | F♯ Minor | 6 | 11A | 142 BPM | ||
| Test Me | AMU6iX, Nyukyung | D♭ Major | 7 | 3B | 150 BPM | ||
| Bennys Anthem | TrezBelle | B Minor | 6 | 10A | 142 BPM | ||
| Moshpit | Beori | D♭ Minor | 6 | 12A | 128 BPM | ||
| back to the basics | BTWRKS, Milano The Don | F Major | 6 | 7B | 150 BPM | ||
| Jesus Is the King | Nameless Servant | B♭ Major | 7 | 6B | 90 BPM | ||
| Miss You | Datta Boy, AfroFaya | E♭ Minor | 6 | 2A | 96 BPM | ||
| Colosseum | Alpha Beats | A♭ Major | 10 | 4B | 132 BPM | ||
| No Thanks | Dylan Andre | E♭ Major | 6 | 5B | 142 BPM | ||
| War Ready | Treyvion Cross | A♭ Major | 9 | 4B | 77 BPM | ||
| Bonnie & Clyde | Datta Boy, Shanice Antonia | A♭ Major | 5 | 4B | 130 BPM | ||
| Dangerous Theatrical Trailer | Until The Very End, Complete Tracks | D♭ Major | 8 | 3B | 90 BPM | ||
| Shout-out for the Encore | King Marino | D Major | 9 | 10B | 145 BPM | ||
| LIT | Drey Wylde, Datta Boy | E Minor | 7 | 9A | 135 BPM | ||
| Gone | Urbanstep, ben haydn | B♭ Major | 9 | 6B | 166 BPM | ||
| On Assignment | James Murray, Benjamin Hayden, Fired Earth Music | C Major | 9 | 8B | 135 BPM | ||
| Game Time (Rehearsed) | BEATSMASH, Pelly | C Major | 9 | 8B | 180 BPM | ||
| Different Breed | DITONE, Voli Contra | A Major | 9 | 11B | 146 BPM | ||
| Here to Win | King Flexx | B Minor | 6 | 10A | 96 BPM | ||
| Unphased | Liquid Cinema | A♭ Major | 8 | 4B | 158 BPM | ||
| Assignment | Solven, Slanks, Blvkstn | F♯ Major | 9 | 2B | 142 BPM | ||
| Click | Dylan Andre | A♭ Major | 9 | 4B | 80 BPM | ||
| Conquer Death | JayXTurbo, Jay Matthews | D♭ Major | 8 | 3B | 75 BPM |