- BPM
- 127
- Key
- A♭ Major
- Camelot
- 4B
Los Gavilanes: "Mi Aldea" by Jacinto Guerrero, Rafael Frühbeck de Burgos Song Details
"Los Gavilanes: "Mi Aldea"" by Jacinto Guerrero, Rafael Frühbeck de Burgos had its release date on May 17, 1994. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 24 Grandes Éxitos de Zarzuela, Vol. 2, so we believe that "Los Gavilanes: "Mi Aldea"" is a single. Based on our statistics, Los Gavilanes: "Mi Aldea"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Los Gavilanes: "Mi Aldea" by Jacinto Guerrero, Rafael Frühbeck de Burgos is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -16.876 dB
- Acousticness
- 97%
- Danceability
- 33%
- Energy
- 17%
- Instrumentalness
- 1%
- Liveness
- 43%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 16%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gala Sequence | Renata Tebaldi, Vienna Philharmonic, Herbert von Karajan | G Major | 2 | 9B | 93 BPM | |
 | La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | |
 | Bizet: Carmen, Act 3: "Ecoute, écoute, compagnon, écoute" (Chorus, Dancaïre, Remendado, José, Carmen, Mercédès, Frasquita) | Georges Bizet, Maria Callas/Nicolai Gedda/Nadine Sautereau/Jane Berbié/Jean-Paul Vauquelin/Maurice Maievski/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | |
 | Dice la Gente del Barrio (Introduccion y Presentacion de Ascension) | Anselmo Carreno, Pablo Sorozábal, Pilar Lorengar, Enriqueta Serrano, Renato Cesari, Francisco Maroto, Enrique Fuentes, José Marín, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid | G Major | 2 | 9B | 72 BPM | |
 | Gounod: Faust, Act 3: Couplets. "Faites-lui mes aveux" (Siebel) | Charles Gounod, Michel Plasson, Martine Mahé, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Gloire! gloire à Jupiter (Pluton/Les dieux/L'Opinion Publique/Jupiter/Orphee/Mercure/Cupidon/Diane/Venus) | Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Patricia Petibon/Jennifer Smith/Véronique Gens/Etienne Lescroart/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Min, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A♭ Major | 1 | 4B | 93 BPM | |
 | Tango de la menegilda | Federico Chueca, Ataúlfo Argenta, Ana Maria Iriarte, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Toñy Rosado | E Minor | 2 | 9A | 165 BPM | |
 | Les Pêcheurs de perles: Act I: Sur la grève en feu (Fishermen, Villagers) | Georges Bizet, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Major | 3 | 8B | 178 BPM | |
 | La sonnambula, Act I: Viva Amina! | Vincenzo Bellini, Gemma Bertagnolli, Peter Kalman, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | G Major | 2 | 9B | 117 BPM | |
 | El Huesped del Sevillano (Canto a la Espada) | Plácido Domingo | D Major | 4 | 10B | 118 BPM | |
 | Barbieri: El barberillo de Lavapiés: "Canción de Paloma" | Lisette Oropesa | A Major | 2 | 11B | 142 BPM | |
 | Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | |
 | Meyerbeer: Les Huguenots, Acte 1: L'orgie. "Bonheur de la table" (Chœur) | Giacomo Meyerbeer, Cyril Diederich, Chœurs de l'Opéra de Montpellier, Orchestre Philharmonique De Montpellier | C Major | 5 | 8B | 137 BPM | |
 | La Verbena de la Paloma: Nocturno | Tomás Bretón, Coros Cantores De Madrid, Federico Moreno Torroba, José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Renato Cesari | C Major | 1 | 8B | 137 BPM | |
| Polonesa | Montserrat Caballé | A Major | 3 | 11B | 87 BPM | |
 | Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | |
 | Guerrero, Jacinto: La rosa del azafrán, Act 1 Scene 1: No. 2, Canción, "Cuando siembro voy cantando" (Juan Pedro) | Jacinto Guerrero, Plácido Domingo, Manuel Moreno-Buendia, Orquesta Sinfónica de Madrid | F♯ Major | 2 | 2B | 132 BPM | |
 | Il barbiere di Siviglia (The Barber of Seville): Act I: Cavatina: Ecco, ridente in cielo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | C Major | 1 | 8B | 166 BPM | |
 | I puritani, Act II: O rendetemi la speme... Qui la voce sua soave | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | E♭ Major | 1 | 5B | 96 BPM | |
 | Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | C Major | 0 | 8B | 81 BPM | |
| Bizet: Les pêcheurs de perles, Act 1: "C'est elle ! Elle vient" (Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Orchestre du Theatre National de IOpera-Comique | D Minor | 8 | 7A | 140 BPM | |
 | Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | |
 | La Canción del Olvido: "Canción de Rosina: Canta el trovador" | Coros Cantores De Madrid, Agrupación Vocal de Cámara del Centro de Instrucción Comercial, Pilar Lorengar | E Minor | 1 | 9A | 111 BPM | |
 | Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | |
 | Faust - opera in five acts (1989 Digital Remaster), Act IV: Gloire immortelle (Choeurs des soldats) | Charles Gounod, Victoria de los Ángeles, André Cluytens, Choeurs et Orchestre de l'Opéra National de Paris, Orchestre Et Choeurs Du Theatre National | B Minor | 7 | 10A | 141 BPM |
- ISRC
- ES5029400816
- Label
- L-M Records/RCA Records