"We Got Beat" by Paul Leonard-Morgan had its release date on March 17, 2023. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. We Got Beat's duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 42 in Boston Strangler (Original Score) by Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of We Got Beat is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of We Got Beat by Paul Leonard-Morgan is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 21 Days | Alexandre Desplat | F Minor | 0 | 4A | 84 BPM | ||
| Earth | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | E Major | 1 | 12B | 87 BPM | ||
| The Illusive Man | Jack Wall | D Major | 4 | 10B | 112 BPM | ||
| Technically, Missing | Trent Reznor and Atticus Ross | G Minor | 1 | 6A | 76 BPM | ||
| Race To The Top | Atli Örvarsson | B♭ Minor | 7 | 3A | 114 BPM | ||
| Birth Of The Solar System | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| The Tattoo | Jed Palmer | A Major | 0 | 11B | 120 BPM | ||
| Slot Canyon | Trevor Gureckis | F♯ Major | 3 | 2B | 74 BPM | ||
| The Price Of A Good Trick | The Prestige | A Minor | 2 | 8A | 72 BPM | ||
| Macbeth - From "Macbeth" Soundtrack | Jed Kurzel | A Major | 2 | 11B | 70 BPM | ||
| 1.4_2-impenetrable.sd2 | Mac Quayle | A♭ Major | 9 | 4B | 94 BPM | ||
| Dance of the Cryptek | Guillaume David | F Minor | 10 | 4A | 140 BPM | ||
| Safehouse | Sascha Dikiciyan | F Major | 2 | 7B | 74 BPM | ||
| Out Of Blue | Clint Mansell | D Minor | 1 | 7A | 81 BPM | ||
| Adam Smasher | Paul Leonard-Morgan | D Major | 10 | 10B | 140 BPM | ||
| Noosphere | Guillaume David | C Minor | 4 | 5A | 146 BPM | ||
| Dillion | David García Díaz, Andy LaPlegua | D Major | 2 | 10B | 138 BPM | ||
| Opening / Kepler-22b | Marc Streitenfeld | G Major | 2 | 9B | 75 BPM | ||
| Leaving It All Behind | Sam Hulick | D Major | 0 | 10B | 80 BPM | ||
| Occasionally Scared | Atticus Ross, Leopold Ross, Claudia Sarne | E♭ Major | 2 | 5B | 120 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM | ||
| Fragile | Ludvig Forssell | A♭ Major | 2 | 4B | 65 BPM | ||
| Not a Plan, a Man | P.T. Adamczyk | B♭ Major | 2 | 6B | 77 BPM | ||
| Buried & Found | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| Rubber Head | Cliff Martinez | E Major | 1 | 12B | 67 BPM |