On February 17, 2020, the song "Working Hard - Instrumental" was released by Richard Marks. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Working Hard - Instrumental's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Richard Marks's "Love Is Gone (The Lost Sessions: 1969-1977)" album is number 2 out of 16. Based on our statistics, Working Hard - Instrumental's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Working Hard - Instrumental by Richard Marks to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Coming Back Home to You | Richard Marks | E♭ Major | 0 | 5B | 124 BPM | ||
| So Real | Easy Giant | D Major | 6 | 10B | 125 BPM | ||
| Last Train - 2003 Remaster | Allen Toussaint | D♭ Major | 8 | 3B | 88 BPM | ||
| I'd Follow You | The Mellows | A Major | 5 | 11B | 117 BPM | ||
| Mama's Got the Wagon | Mickey Murray | G Minor | 5 | 6A | 162 BPM | ||
| Crackerjack | Richard Marks | A♭ Major | 9 | 4B | 148 BPM | ||
| You Keep Me Hanging On | Bonnie & Sheila | D♭ Major | 6 | 3B | 98 BPM | ||
| She's a Real Woman | Richard Marks | A Major | 6 | 11B | 201 BPM | ||
| Lady Luck | Richard Swift | A Major | 5 | 11B | 95 BPM | ||
| Bosco USA | Cookie Little | F♯ Minor | 5 | 11A | 127 BPM | ||
| I'm Lonely For You | Bettye Swann | A Minor | 4 | 8A | 103 BPM | ||
| Thankful For You | Andre Gibson | F Major | 0 | 7B | 177 BPM | ||
| Don't Throw Our Love Away | The Mellows | G Major | 5 | 9B | 148 BPM | ||
| Brother Father Mother Sister | Tim Maia | B Minor | 7 | 10A | 117 BPM | ||
| Driftwood | Sun Casino | F♯ Minor | 7 | 11A | 86 BPM | ||
| Verbal Expressions of T.V. | Johnny Thunder | B♭ Major | 7 | 6B | 97 BPM | ||
| Now and Then | Natural Child | B Major | 8 | 1B | 107 BPM | ||
| Only One I Want | Bones and Jones | D Major | 6 | 10B | 120 BPM | ||
| Nothing I'd Rather Be (Than Your Weakness) | Marva Whitney | E Minor | 5 | 9A | 95 BPM | ||
| Baby I Love You | Marc Benno | D Major | 6 | 10B | 116 BPM | ||
| I'm Gonna Make It Alright | Paul Pena | D Major | 6 | 10B | 98 BPM | ||
| Same Days | J. Roddy Walston & The Business | G Major | 8 | 9B | 128 BPM | ||
| Better Than This | The Slim Kings | C Minor | 5 | 5A | 105 BPM | ||
| Honey Drip | Long Island Railroad, Smushie, Ryan Gebhardt | D Major | 6 | 10B | 152 BPM | ||
| Soul Connection | Diplomats of Solid Sound, The Diplomettes | E Major | 8 | 12B | 94 BPM |