"Arrival in London" by Marcelo Zarvos had its release date on October 25, 2024. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Arrival in London's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Diplomat: Season 2 (Soundtrack from the Netflix Series)". In this album, this song's track order is #2. Based on our statistics, Arrival in London's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Arrival in London by Marcelo Zarvos having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Two Riders | Jeff Danna | A Major | 1 | 11B | 53 BPM | ||
| A Game of Sabotage | Theodore Shapiro | B♭ Minor | 0 | 3A | 72 BPM | ||
| The Impossible Crime | Nathan Klein, F. Keane | C Minor | 4 | 5A | 183 BPM | ||
| Backstory | Anne Nikitin | D Minor | 0 | 7A | 66 BPM | ||
| Hal Abducted | Nathan Barr, Dimitri Smith | G Minor | 3 | 6A | 140 BPM | ||
| Mrs Reed | Martin Phipps | B♭ Major | 1 | 6B | 83 BPM | ||
| Deep State | Laura Karpman | F♯ Minor | 2 | 11A | 123 BPM | ||
| The Locke Lullaby | Torin Borrowdale | D♭ Major | 0 | 3B | 74 BPM | ||
| Destroy The Evidence | Atli Örvarsson | G Minor | 3 | 6A | 82 BPM | ||
| Anomaly | Christoffer Moe Ditlevsen | G Minor | 0 | 6A | 133 BPM | ||
| Père-Lachaise | Mathieu Lamboley | F Minor | 2 | 4A | 98 BPM | ||
| We Are Back | Jeff Russo | A Major | 2 | 11B | 180 BPM | ||
| Mouldy Leftovers | Oli Julian | G Major | 3 | 9B | 162 BPM | ||
| Habanera Game | Roque Baños, Ben Cherney | A Major | 2 | 11B | 180 BPM | ||
| The Piano Lesson | Alexandre Desplat | A♭ Major | 3 | 4B | 135 BPM | ||
| Planting a Bug | Cho Young-Wuk | A Major | 2 | 11B | 180 BPM | ||
| There Is Hope | David Buckley | E Major | 1 | 12B | 78 BPM | ||
| Vizio Illogico | EDO ZENITH | E Minor | 3 | 9A | 100 BPM | ||
| The End of the War | JEAN-CHARLES ANICET | F♯ Minor | 2 | 11A | 120 BPM | ||
| Fight By My Side | Ruth Barrett, Steffen Thum | C Minor | 1 | 5A | 115 BPM | ||
| Credits | Anne Nikitin | A Major | 2 | 11B | 180 BPM | ||
| Love Language | Nanny Jones, Nana Jones | C Major | 3 | 8B | 85 BPM | ||
| City of Dreams | James Everingham | D Major | 5 | 10B | 101 BPM | ||
| The Ride | Ruben de Gheselle | A Minor | 1 | 8A | 139 BPM | ||
| Where Is My Son? | Jeff Beal | D Minor | 2 | 7A | 111 BPM |