Barkha Rani's ' "Jawaniya Sambhal" was released on its scheduled release date, November 1, 1995. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Barkha Rani, Bhagwan Das Sharma's "Jawaniya Samhaal" album is number 5 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Jawaniya Sambhal's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Jawaniya Sambhal by Barkha Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mayuri Lo Mayuri | Shakti Mishra | E Minor | 8 | 9A | 91 BPM | ||
| Marupali Dhekla | Satrughna, Santanu Sahu, Shital Sahu | E♭ Minor | 9 | 2A | 78 BPM | ||
| Hamar Nathiya | Diwakar Dwivedi | F Minor | 10 | 4A | 112 BPM | ||
| Jharu Tara Chamka The | Sujit Minj, Prity Barla | A♭ Major | 10 | 4B | 105 BPM | ||
| Bilakhi Bisona (Best Of Mahendra Hazarika) | Mahendra Hazarika | F♯ Minor | 9 | 11A | 90 BPM | ||
| Aap Mujhe Achhe Lagne Lage | Santanu Sahu | A♭ Major | 9 | 4B | 78 BPM | ||
| Pahli Ratiya Ke Batiya Batava Sakhi | Indu Sonali | G Major | 9 | 9B | 159 BPM | ||
| Hasthina pura ra labanyabati new odia jatra song opera shree mandira | Adha Ratira Sathi new odia jatra song | E♭ Minor | 9 | 2A | 150 BPM | ||
| Pyar Ke Kagaj | Pawan Roy | D♭ Major | 6 | 3B | 186 BPM | ||
| U.P. Bihar Mai Bavaal Hou Gaiil | Kalpana Patowary, Deepak Giri | D Major | 9 | 10B | 77 BPM | ||
| Pardesi Babu | Nagpuri Diwana, Monika Mundu | G Major | 5 | 9B | 134 BPM | ||
| Nadiya Ke Pani - From "Dhanesh Ke Aaradhna" | Babita Goti | A♭ Minor | 8 | 1A | 155 BPM | ||
| Kora Mein Uthala Balmu | Barkha Rani | D♭ Major | 6 | 3B | 103 BPM | ||
| Tay Ka Jaadu Dare | Prabhat Yadav, Kanchan Joshi | B Major | 9 | 1B | 132 BPM | ||
| Jhejhad cycle Salam | Vishnu Nayak, Chinta Devi | B Major | 7 | 1B | 108 BPM | ||
| Ego Gori Ke Mor Dil Nagpuri | Pawan Roy | D♭ Major | 9 | 3B | 126 BPM | ||
| Jaan - Jinda Rahin Kaise | Rahul Hulchal Pandey, Kavita Yadav, Ashish Verma | C Major | 8 | 8B | 90 BPM | ||
| Chunari Mein Sunari Ban Ke | Ritesh Pandey, Khushboo Jain, Shishir Pandey | G Major | 9 | 9B | 100 BPM | ||
| Tori Prit Me Ho Gai Joganiya | Jittu Khare | B Major | 9 | 1B | 86 BPM | ||
| Gor Gor Chikan Face - Khortha | Milan Das, Pritam Adhikari | C Major | 10 | 8B | 135 BPM | ||
| Ashiq Kahay Na Tore | Pawan | B Major | 9 | 1B | 150 BPM | ||
| Jor Le Joran Dai Vo (Mata Vidai geet) | Kantikartik Yadav Offical | D♭ Major | 10 | 3B | 140 BPM | ||
| Bish Khawaiya Mayrala | Emon Khan | A♭ Minor | 8 | 1A | 155 BPM | ||
| Chacha Hamre Mathwa Pe | Indu Sonali, Pranali, Rajesh Jha, Rihabh | B♭ Major | 6 | 6B | 78 BPM | ||
| Kahe Bola Le Re Selam | Mitali Ghos | E Minor | 8 | 9A | 145 BPM |