Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour's 'Through the Looking-Glass: IV. Tweedledum and Tweedledee' had a release date set for June 30, 2023. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wonderland: The Alice Sound by Lee Reynolds, London Symphony Orchestra, Paul Rissmann. The song's track number on the album is #13 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Through the Looking-Glass: IV. Tweedledum and Tweedledee is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Through the Looking-Glass: IV. Tweedledum and Tweedledee by Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Through the Looking-Glass: IV. Tweedledum and Tweedledee being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stan and Mabel: 21. Finale | Paul Rissmann, Young Adelaide Voices, Adelaide Symphony Orchestra, Benjamin Northey | D♭ Minor | 3 | 12A | 122 BPM | ||
| Stan and Mabel: 9. The Suburbs at Night | Paul Rissmann, Adelaide Symphony Orchestra, Benjamin Northey | E♭ Major | 3 | 5B | 72 BPM | ||
| My Fair Lady: Overture | Frederick Loewe, Sinfonia Of London, John Wilson | C Major | 2 | 8B | 87 BPM | ||
| Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato | Anatoly Lyadov, Alexander Gauk | C Minor | 2 | 5A | 72 BPM | ||
| Les biches Suite, FP 36b: IV. Andantino | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 0 | 8B | 105 BPM | ||
| Ballet Suite No. 4 (arr. L. Atovmyan): Scherzo (The Bolt) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 77 BPM | ||
| Alpine Lake | Philipp Alexander Geitmann | C Minor | 2 | 5A | 111 BPM | ||
| The Mikado / Act 1: 13. I am so proud, If I allowed | Arthur Sullivan, John Reed, Kenneth Sandford, Michael Rayner, Royal Philharmonic Orchestra, Royston Nash | F♯ Minor | 2 | 11A | 111 BPM | ||
| You Knew My Heart | O.R.S.M | G Minor | 1 | 6A | 134 BPM | ||
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
| Gianni Schicchi: O mio babbino - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | D Major | 1 | 10B | 75 BPM | ||
| Fastnachts-Sinfonie: Tranquillo non troppo sostenuto (1) | Richard Flury, BBC Symphony Orchestra, Paul Mann | D Major | 1 | 10B | 75 BPM | ||
| Youre in Love | Alberto Moggi, Giuseppe Brittanni, Sidney Bwolser, Claire Mind | A♭ Major | 1 | 4B | 93 BPM | ||
| Through the Looking-Glass: VIII. Queen Alice | Paul Rissmann, Lee Reynolds, London Symphony Orchestra, Emily Dickens, Joanna Harries, Richard Pinkstone, Neil Balfour | F Major | 2 | 7B | 117 BPM | ||
| Violin Concerto: IIb. Fugue, Pt. 4 (Live) | Maya Badian, Romanian National Radio Orchestra, Florin Paul, Ludovic Bács | B♭ Major | 5 | 6B | 96 BPM | ||
| Suite Bergamasque, L. 75: 3. Clair de lune (Arr. Henry Krips) | Henry Krips, Claude Debussy, Adelaide Symphony Orchestra, Ron Spigelman | G Major | 0 | 9B | 92 BPM | ||
| Sherlock Holmes und Dr. Watson Teil 3 - Die Silhouette des Windes Teil 2 | Sherlock Holmes und Dr. Watson | G Minor | 4 | 6A | 101 BPM | ||
| Symphony No. 3 in B Minor "Bucheggbergische": III. Molto vivace (Scherzo) | Richard Flury, BBC Symphony Orchestra, Paul Mann | D Major | 1 | 10B | 75 BPM | ||
| The Land of the Mountain and the Flood - Overture Op. 3 - 1988 Remastered Version | Hamish MacCunn, Maurice Handford, Hallé | B Minor | 0 | 10A | 133 BPM | ||
| Khachaturian: Suite No. 1 from Spartacus: III. Variation of Aegina - Bacchanalia | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E♭ Minor | 2 | 2A | 129 BPM | ||
| 33 Jesus é o nosso Guia H5 | CCB Orquestra | C Major | 1 | 8B | 171 BPM | ||
| Sibelius: Symphony No. 6 in D Minor, Op. 104: I. Allegro molto moderato | Jean Sibelius, Herbert von Karajan, Berliner Philharmoniker | D Major | 1 | 10B | 75 BPM | ||
| Trial by Jury: I Love Him | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 75 BPM | ||
| Bartók: 6 Romanian Folk Dances, Sz. 56 (Orch. Székely) | Béla Bartók, Sir Charles Mackerras, Philharmonia Orchestra | D Major | 1 | 10B | 75 BPM | ||
| 39. Poor wand'ring ones, though ye have surely straye | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM |