Amarnath Bhattacharjee's 'Baisayorbar Prodanem' had a release date set for September 2, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 17 in Chandipath by Pandit Amarnath Bhattacharjee. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Baisayorbar Prodanem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Baisayorbar Prodanem by Amarnath Bhattacharjee is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Siddha Kunjika Stotra Mantra | Shrikrishna Sawant | F Major | 2 | 7B | 143 BPM | ||
| Sri Sarada Devi Dhyanam | Ramakrishna Math, Swami Sarvagananda | F Minor | 6 | 4A | 110 BPM | ||
| Shat Shat Naman Bharat Bhumi Ko | Suryakant Keshari | D♭ Minor | 4 | 12A | 85 BPM | ||
| Narayana Stotram | Uma Mohan | G Minor | 4 | 6A | 140 BPM | ||
| Kali Karali | Amarnath Bhattacharjee | B Minor | 7 | 10A | 100 BPM | ||
| Panchakshar Stotram | Ishan Shivanand | A Major | 6 | 11B | 110 BPM | ||
| Powerful Krishna Mantra Krishnaya Vasudevaya Haraye Paramatmane Hare Krishna Meditation Mantra | Sachin Kadam | F♯ Major | 5 | 2B | 110 BPM | ||
| Hari Sunder Nand Mukunda | Prem Prakash Karn | F Minor | 8 | 4A | 75 BPM | ||
| Shri Badrinarayan Aarti | Vishwajeet Borwankar | F Major | 5 | 7B | 80 BPM | ||
| Dakshina Kali Dhyan Mantra | Natraj Chatterjee | E Minor | 5 | 9A | 116 BPM | ||
| Holi Re Rasiya-Lofi | Sadhvi Purnima, Baljeet Singh Chahal | B♭ Minor | 5 | 3A | 80 BPM | ||
| Hanuman Chalisa Power Full | FollowingTushar | C Major | 5 | 8B | 79 BPM | ||
| MargaBandhu Stotram | Vijayaa Shanker | A Major | 2 | 11B | 113 BPM | ||
| Shivohm Shivohm | Pujya Bhaishree Rameshbhai Ojha | E Major | 1 | 12B | 82 BPM | ||
| Namo Debyoi Mahadebyoi | Birendra Krishna Bhadra | E♭ Minor | 4 | 2A | 71 BPM | ||
| Om Hreem Namaha 108 Times (Bhuvneshvari Mantra) | Manjeera Ganguly | F Minor | 0 | 4A | 182 BPM | ||
| Buddha Vandana | Surykirti | F♯ Minor | 2 | 11A | 169 BPM | ||
| Shani Dev Aarti | Vishwajeet Borwankar, Priyanka Sarvadnya | G Major | 2 | 9B | 71 BPM | ||
| Om Sinhika Putraya Namah | Siddharth Shankar Srivastav | A Major | 1 | 11B | 110 BPM | ||
| Shambhu Shamshan Shivam | Surrender To Shiva | Intense Meditative Song | Sagar_Sharma | D Major | 2 | 10B | 168 BPM | ||
| Om Hreem Shreem Lakshmi Bayo Namaha 108 Times (Laxmi Mantra) | Manjeera Ganguly | B Minor | 5 | 10A | 81 BPM | ||
| Pitra Stotra | Acharya Sudhir Sharma Ved Pathi | G Major | 3 | 9B | 92 BPM | ||
| Voice Over Sanskrit Mantra | Amarnath Bhattacharjee, Chorus | A Minor | 7 | 8A | 147 BPM | ||
| Om Shreem Hreem Shreem Mahalaxshmi Namaha 108 Times (Mahalaxmi Mantra) | Manjeera Ganguly | E♭ Major | 4 | 5B | 81 BPM | ||
| Hari Narayana | Bhanumathi Narasimhan | E♭ Minor | 4 | 2A | 82 BPM |