"A FAULT LINE, A FAULT OF MINE - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020" by Underoath had its release date on November 6, 2020. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Underoath's "LOST IN THE SOUND OF SEPARATION LIVE RECORDING" album is number 3 out of 11. On top of that, United Kingdom appears to be the country where this track was created. A FAULT LINE, A FAULT OF MINE - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A FAULT LINE, A FAULT OF MINE - LIVE RECORDING FROM THE OBSERVATORY, TAMPA, FL, 2020 by Underoath to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Redeeming A Monster | Broadway | G Major | 10 | 9B | 180 BPM | ||
| Awake | Finch | F♯ Major | 8 | 2B | 118 BPM | ||
| I Am The Wind, You Are The Feather | Vanna | G Major | 10 | 9B | 131 BPM | ||
| I'm the Best at Ruining My Life | From Autumn To Ashes | D Major | 9 | 10B | 153 BPM | ||
| Short Stories With Tragic Endings | From Autumn To Ashes | A Minor | 8 | 8A | 94 BPM | ||
| I Am The Killer | Thursday | D Major | 8 | 10B | 149 BPM | ||
| Featuring Some of Your Favorite Words | From First To Last | A♭ Major | 9 | 4B | 94 BPM | ||
| The Search Party Never Came | Vanna | F Minor | 9 | 4A | 160 BPM | ||
| There's No Penguins In Alaska | Chiodos | G Major | 9 | 9B | 101 BPM | ||
| Not Good Enough For Truth In Cliché | Escape the Fate | F Major | 9 | 7B | 159 BPM | ||
| Right Side Of The Bed | Atreyu | A♭ Major | 9 | 4B | 172 BPM | ||
| A Wish For Wings That Work | Poison The Well | D Minor | 8 | 7A | 85 BPM | ||
| The One Armed Boxer vs. the Flying Guillotine | From First To Last | B Minor | 9 | 10A | 111 BPM | ||
| There Could Be Nothing After This | Underoath | D Minor | 10 | 7A | 177 BPM | ||
| They'll Never Get Me (Word With You) | Drop Dead, Gorgeous | F Minor | 10 | 4A | 103 BPM | ||
| You Bring The Thunder, I’ll Bring The Lightning | Broadway | F Major | 10 | 7B | 90 BPM | ||
| You're So Last Summer - Remastered | Taking Back Sunday | B Minor | 8 | 10A | 156 BPM | ||
| War All The Time | Thursday | A Minor | 8 | 8A | 125 BPM | ||
| Darling | Eyes Set To Kill | D Minor | 9 | 7A | 82 BPM | ||
| We Are Paramount | Broadway | D Minor | 9 | 7A | 175 BPM | ||
| Where Can I Stab Myself In The Ears | Hawthorne Heights | E♭ Minor | 9 | 2A | 171 BPM | ||
| Stick Stickly | Attack Attack! | F Minor | 10 | 4A | 145 BPM | ||
| Taste The Red Hands | Dead Poetic | D Minor | 10 | 7A | 94 BPM | ||
| There's No 'I' In Team - Remastered | Taking Back Sunday | B Minor | 9 | 10A | 168 BPM | ||
| Remember To Feel Real | Armor For Sleep | E Minor | 9 | 9A | 164 BPM |