Ritu Guhathakurta's 'Akashe Aaj Kon Charaner' had a release date set for January 1, 1972. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Akashe Aaj Kon Charaner's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Rare Gems From Tagore Vol-2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Akashe Aaj Kon Charaner's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Akashe Aaj Kon Charaner by Ritu Guhathakurta having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Takar Jonno She Amare | Hamid Ali | E Minor | 8 | 9A | 136 BPM | ||
| Michhe Nari Nirjatan | Parikshit Bala | B Major | 5 | 1B | 110 BPM | ||
| Tomar Samadhi Phule Phule Dhaka - Antaral | Salil Mitra | F Major | 2 | 7B | 121 BPM | ||
| Ami Phul Na Hoye Kanta Hoye Besh | Manna Dey | E♭ Major | 3 | 5B | 93 BPM | ||
| Bhajore Bhajore Kali Naam | Parikshit Bala | E♭ Major | 6 | 5B | 81 BPM | ||
| Tumi Surjya Tumi Chandra | Asha Bhosle, Chittapriya Mukherjee, Amar Roy | F Minor | 2 | 4A | 84 BPM | ||
| Dukho Jodi Na Pabe To | Swagatalakshmi | B♭ Major | 1 | 6B | 70 BPM | ||
| SAKHI KE BA SONAYELO | Aditi Munshi | E Major | 5 | 12B | 171 BPM | ||
| Antaro Bahire | Amrik Singh Arora | C Minor | 5 | 5A | 82 BPM | ||
| Ami Kothay Pabo Tare | Amar Pal | A♭ Major | 4 | 4B | 109 BPM | ||
| Taire Naire Na | Antara Chowdhury | D Major | 9 | 10B | 130 BPM | ||
| Prem Esechilo | Indrani Sen | E Minor | 2 | 9A | 126 BPM | ||
| Aamay Nahe Go Bhalobaso Mor Gaan - With Narration | Firoza Begum, Satinath Mukherjee | B♭ Minor | 6 | 3A | 93 BPM | ||
| Jakhan Thaki Aanande | Raghab Chatterjee | F Minor | 3 | 4A | 137 BPM | ||
| Shudhu Jaoya Aasa Shudhu Srote Bhasa - Kabir Suman | Kabir Suman | C Major | 3 | 8B | 78 BPM | ||
| Amar Ei Poth Chaowatei Ananda | Suchitra Mitra | F♯ Minor | 6 | 11A | 94 BPM | ||
| Madhur Basanta Esechhe | Sagar Sen | F♯ Minor | 3 | 11A | 80 BPM | ||
| Ke Jeno Abir | Asha Bhosle | D♭ Major | 4 | 3B | 113 BPM | ||
| Amay Ekjan Sada Manus Dao | Bhupen Hazarika | D Major | 4 | 10B | 81 BPM | ||
| Chinmoye Rup Dhore | Swaraj Roy | F♯ Major | 7 | 2B | 96 BPM | ||
| Nayanabhiram Mor | Mahesh Ranjan Shome | F Minor | 5 | 4A | 136 BPM | ||
| Sogono Gohono | Hemanta Mukhopadhyay | E Major | 4 | 12B | 65 BPM | ||
| Ami Tomar Sange Bendhechhi Amar Pran | Chinmoy Chatterjee | E♭ Major | 4 | 5B | 126 BPM | ||
| Sadanandamoyi Kali | Pannalal Bhattacharya | A♭ Minor | 4 | 1A | 70 BPM | ||
| Sajani Go Premer Katha | R. D. Burman | F♯ Minor | 4 | 11A | 108 BPM |