"Too Marvellous For Words (with Harry James and His Orchestra)" by Doris Day, Harry James had its release date on January 1, 1948. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 21 in the song's album "Songs From The Films Of Doris Day". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Too Marvellous For Words (with Harry James and His Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Too Marvellous For Words (with Harry James and His Orchestra) by Doris Day, Harry James having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Every Time We Say Goodbye | Benny Goodman | A♭ Major | 1 | 4B | 84 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| LAURA | Woody Herman | E♭ Major | 2 | 5B | 88 BPM | ||
| Would I Love You, Love You, Love You - 78 rpm Version | Doris Day | G Major | 1 | 9B | 98 BPM | ||
| You Call It Madness (But I Call It Love) | Nat King Cole Trio | E♭ Major | 1 | 5B | 80 BPM | ||
| Smoke Gets In Your Eyes | Jo Stafford | B♭ Major | 2 | 6B | 117 BPM | ||
| P.S. - I Love You | Rudy Vallee and His Connecticut Yankees | E♭ Major | 3 | 5B | 161 BPM | ||
| Blueberry | Jimmy Dorsey | F Minor | 2 | 4A | 114 BPM | ||
| Tomorrow | Frankie Carle | E♭ Major | 3 | 5B | 161 BPM | ||
| Who Wouldn't Love You | Kay Kyser & His Orchestra | E♭ Major | 3 | 5B | 161 BPM | ||
| Besame Mucho | Jimmy Dorsey | G Minor | 2 | 6A | 140 BPM | ||
| A Sail Boat in the Moonlight | Guy Lombardo & His Royal Canadians | E♭ Major | 3 | 5B | 161 BPM | ||
| Wait 'Til You See Her | Matt Dennis | E♭ Major | 1 | 5B | 126 BPM | ||
| Comes Love | Helen Merrill | D Minor | 1 | 7A | 92 BPM | ||
| Comes Love | Irene Kral | C Major | 1 | 8B | 114 BPM | ||
| You're Just In Love (I Wonder Why) | Perry Como | D Major | 1 | 10B | 75 BPM | ||
| My Dream Is Yours (with George Sirava and His Orchestra) | Doris Day, George Sirava and His Orchestra | E♭ Major | 0 | 5B | 165 BPM | ||
| Our Love Is Here To Stay (with Frank DeVol & His Orchestra) | Doris Day, Frank DeVol & His Orchestra | C Minor | 0 | 5A | 75 BPM | ||
| Rumors Are Flying | Frankie Carle | E♭ Major | 3 | 5B | 161 BPM | ||
| Please, Mr. Sun | Johnnie Ray | E Minor | 2 | 9A | 62 BPM | ||
| Boo Hoo | Guy Lombardo | C Major | 2 | 8B | 180 BPM | ||
| You're Not So Easy To Forget | Morgana King | F Minor | 2 | 4A | 118 BPM | ||
| It's Bad For Me | Jeri Southern | E♭ Major | 3 | 5B | 123 BPM | ||
| Dancing on the Ceiling | Helen Forrest | D♭ Major | 2 | 3B | 124 BPM | ||
| So Rare | Carroll Gibbons, The Savoy Hotel Orpheans | C Major | 2 | 8B | 122 BPM |