Frank Foster's 'Real Woman' had a release date set for April 6, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Rowdy Reputation". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of Real Woman is currently below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Real Woman by Frank Foster having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blame It on Me | Adam Wakefield | D Major | 7 | 10B | 128 BPM | ||
| Tears on the Bayou | Wayne Toups | F♯ Minor | 6 | 11A | 137 BPM | ||
| Enemy | Muscadine Bloodline | D♭ Major | 3 | 3B | 120 BPM | ||
| The Bottle | Trent Tomlinson | E Major | 6 | 12B | 82 BPM | ||
| Two Rights Don't Make It Wrong | Ryan Foret And Foret Tradition | G Major | 6 | 9B | 169 BPM | ||
| Since You Laid Down | Wade Reeves | E Minor | 4 | 9A | 75 BPM | ||
| Amen | Frank Foster | E Major | 4 | 12B | 78 BPM | ||
| Good Ole Boys | Cody Cooke and the Bayou Outlaws | F♯ Major | 9 | 2B | 146 BPM | ||
| Sticker Peck Out | JB and the Moonshine Band | G Major | 7 | 9B | 75 BPM | ||
| Midnight Daydream | Jameson Rodgers | C Major | 6 | 8B | 72 BPM | ||
| Love of a Woman | Travis Tritt | G Major | 6 | 9B | 74 BPM | ||
| Probably Die Alone | Brandon Jenkins | G Major | 5 | 9B | 136 BPM | ||
| Love in a Bar | Austin Tellez | B♭ Major | 5 | 6B | 125 BPM | ||
| That's Just Jessie | Kevin Denney | F Major | 7 | 7B | 172 BPM | ||
| Always Been Me | Josh Thompson | E Major | 8 | 12B | 170 BPM | ||
| Love Me Or Leave Me Alone | Dustin Lynch, Karen Fairchild | A Major | 4 | 11B | 102 BPM | ||
| Moon in a Mason Jar | The Band Steele | E Minor | 8 | 9A | 82 BPM | ||
| The Devil Don't Scare Me | Josh Ward | C Major | 6 | 8B | 128 BPM | ||
| Walking Away | Aaron Foret | C Major | 6 | 8B | 120 BPM | ||
| She's All Lady | Jamey Johnson | D Major | 3 | 10B | 71 BPM | ||
| Head Over Heels | Seckond Chaynce | D♭ Minor | 4 | 12A | 60 BPM | ||
| Who I Am | Frank Foster | E♭ Major | 5 | 5B | 136 BPM | ||
| One More Chance to Stay | Sam Riggs | C Major | 4 | 8B | 76 BPM | ||
| Could've Loved You More | Justin Lee | A♭ Major | 7 | 4B | 78 BPM | ||
| Take a Bullet | Alexander King | C Major | 6 | 8B | 130 BPM |