"Exctinction" by Eximia had its release date on April 10, 2018. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. This song is part of Visitors by Eximia. The song's track number on the album is #5 out of 6 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Exctinction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Exctinction by Eximia has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Exctinction being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vector Equilibrium | Predominance | C Minor | 1 | 5A | 110 BPM | ||
| Electricity | Cities Last Broadcast | A♭ Major | 2 | 4B | 127 BPM | ||
| Numinous | Dronny Darko | G Major | 1 | 9B | 99 BPM | ||
| Entranced with the Dead | Beithíoch | G Major | 1 | 9B | 80 BPM | ||
| Attack Under Cover of Darkness | Paul Haslinger | F Minor | 1 | 4A | 133 BPM | ||
| Nenio | Dimitri De Alencar | C Major | 3 | 8B | 120 BPM | ||
| The Hierophant | Kammarheit | D Minor | 2 | 7A | 95 BPM | ||
| Beneath the Depths | Dahlia's Tear | A Minor | 5 | 8A | 74 BPM | ||
| Inside Omicron | Mikko Tarmia | E♭ Minor | 2 | 2A | 79 BPM | ||
| Triangulum | Phelios | D Minor | 2 | 7A | 95 BPM | ||
| Temporal Transition | Sphäre Sechs | D Major | 1 | 10B | 76 BPM | ||
| Through the Mist | CéLIA | E Major | 4 | 12B | 96 BPM | ||
| 40 Hz Mental Clarity | Silent Harmonics | G Major | 3 | 9B | 87 BPM | ||
| Blinded by Blood | Andrew Hulshult | G Major | 3 | 9B | 87 BPM | ||
| Rite of Passage | Council of Nine | C Major | 2 | 8B | 86 BPM | ||
| Conduct | Cities Last Broadcast | C Minor | 1 | 5A | 62 BPM | ||
| Lamentum Hominis | Monasterium Imperi | A♭ Minor | 1 | 1A | 86 BPM | ||
| Ad Lucem | Metatron Omega | B♭ Minor | 3 | 3A | 127 BPM | ||
| Ever Deepening | Psychomanteum | D Major | 3 | 10B | 81 BPM | ||
| Here Is to the Future | Desiderii Marginis | D Minor | 2 | 7A | 59 BPM | ||
| Journey To Orion | Gustaf Hildebrand | C Major | 2 | 8B | 139 BPM | ||
| Vorah Esyeh Konteriah | Treha Sektori | B♭ Minor | 3 | 3A | 87 BPM | ||
| Buchanan | RK7 | A♭ Major | 2 | 4B | 76 BPM | ||
| Messiaskomplekset | Cryo Chamber, Dødsmaskin | D♭ Major | 3 | 3B | 126 BPM | ||
| The Ossuary | Council of Nine | E Minor | 6 | 9A | 132 BPM |