"Redemption" by Cliff Eidelman had its release date on January 1, 1997. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Redemption's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 12 in Free Willy 3: The Rescue (Original Motion Picture Soundtrack) by Cliff Eidelman. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Redemption is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Redemption by Cliff Eidelman is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suite From The Visitor - Second Chance | Various Artists | F Major | 1 | 7B | 78 BPM | ||
| The Letter That Never Came | Thomas Newman | F Major | 1 | 7B | 141 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| Meet Joe Black | Thomas Newman | A Minor | 0 | 8A | 126 BPM | ||
| Suite From Thor's Hammer | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Trinity Infinity | Don Davis | E Minor | 4 | 9A | 132 BPM | ||
| Earth | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | E Major | 1 | 12B | 87 BPM | ||
| Elephants in the Okavango | George Fenton | C Major | 2 | 8B | 49 BPM | ||
| Cliffhanger Theme | Trevor Jones | D Major | 4 | 10B | 89 BPM | ||
| Flowers Only Grow Where There Are Seeds | Anne Dudley | G Minor | 0 | 6A | 78 BPM | ||
| The Prologue 1915-1923 | Randy Newman | C Major | 0 | 8B | 70 BPM | ||
| Not To Be Trusted | Cliff Eidelman | A Minor | 0 | 8A | 113 BPM | ||
| I Built Myself A Life | Mark Isham | A♭ Major | 1 | 4B | 82 BPM | ||
| This Too Shall Pass | Matthew J Webster, The Budapest Scoring Orchestra | F Minor | 3 | 4A | 150 BPM | ||
| Overture - From "Mutiny On The Bounty" | Bronisław Kaper | F Major | 4 | 7B | 121 BPM | ||
| Aftermath | David Arnold, Nicholas Dodd | D Minor | 1 | 7A | 74 BPM | ||
| Bedtime Story | Harald Kloser | D Minor | 0 | 7A | 62 BPM | ||
| Constantine | Thomas Newman | C Minor | 1 | 5A | 172 BPM | ||
| Star Trek: Deep Space Nine - Main Title | Dennis McCarthy | C Major | 2 | 8B | 66 BPM | ||
| New Providence | Jerry Goldsmith, Ron Jones | F♯ Major | 2 | 2B | 69 BPM | ||
| Star Trek Picard End Title | Jeff Russo | C Minor | 4 | 5A | 162 BPM | ||
| The Star Shines | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 2 | 8B | 130 BPM | ||
| A Nice Ride | Randy Newman | A Major | 1 | 11B | 79 BPM | ||
| The Mask | Vito Kortelli, Vitolo | E♭ Minor | 2 | 2A | 95 BPM | ||
| No Exceptions | Cliff Eidelman | F Major | 0 | 7B | 115 BPM |