Mark Anderson, Sam Taylor's 'Lost Time' had a release date set for April 8, 2020. The duration of This song is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Lost Time's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Tension Beds 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Lost Time is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lost Time by Mark Anderson, Sam Taylor having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Iberia, T. 105 / Book 3: No. 9, Lavapiés | Isaac Albéniz, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
| Les soirées de Nazelles, FP 84: 1. Le Comble de la distinction | Francis Poulenc, Pascal Rogé | A Minor | 0 | 8A | 70 BPM | ||
| Haunting Harp | Mark Anderson, Nikolaj Bjerre, Alicia Anderson | A Major | 3 | 11B | 152 BPM | ||
| 13 Preludes, Op. 32: No. 10 in B Minor - Excerpt | Sergei Rachmaninoff, Nikolai Demidenko | E Minor | 0 | 9A | 77 BPM | ||
| Gaspard de la nuit, M.55: No. 3, Scarbo. Modéré | Maurice Ravel, Hsiang Tu | A♭ Minor | 2 | 1A | 131 BPM | ||
| Prowlin' | Niall Sheehy, Joshua Dowen, Mark Anderson, Daniel Buckley | E♭ Major | 5 | 5B | 145 BPM | ||
| 10 Preludes, Op. 23: No. 10 in G-Flat Major | Sergei Rachmaninoff, Jean-Baptiste Fonlupt | D♭ Major | 1 | 3B | 126 BPM | ||
| Good Times | Luke Haynes, Mark Anderson | A Major | 2 | 11B | 130 BPM | ||
| Das Jahr, H. 385: No. 2, February. Scherzo | Fanny Mendelssohn, Claire Huangci | A♭ Minor | 2 | 1A | 131 BPM | ||
| Chopin: 12 Études, Op. 25: No. 10 in B Minor | Frédéric Chopin, Beatrice Rana | B Major | 2 | 1B | 135 BPM | ||
| Petite Suite: VI. Sérénade. Allegretto | Alexander Borodin, Marco Rapetti | B♭ Major | 1 | 6B | 93 BPM | ||
| Piano Sonata in A Major, D. 664: II. Andante | Franz Schubert, Can Çakmur | D Major | 0 | 10B | 67 BPM | ||
| 9 Preludes, Op. 1: No. 2, Andante con moto | Karol Szymanowski, Paolo Ceccarini | G Minor | 0 | 6A | 72 BPM | ||
| Variations on a Theme by C.H., Op. 57: Var. 7. Andante | Xaver Scharwenka, Seta Tanyel | A Minor | 0 | 8A | 69 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Michael Endres | F♯ Major | 0 | 2B | 110 BPM | ||
| Way Down South | Mark Anderson, Nikolaj Bjerre, Alicia Anderson | G Major | 7 | 9B | 172 BPM | ||
| 4 Walt Whitman Songs: No. 2, Oh Captain! My Captain! | Kurt Weill, J. Patrick Raftery, Mark Anderson | D Minor | 3 | 7A | 142 BPM | ||
| December (Christmas) | Tchaikovsky, Will Borders | G Major | 0 | 9B | 167 BPM | ||
| Pictures at an Exhibition: XIV. Cum mortuis in lingua mortua | Modest Mussorgsky, Alexander Gadjiev | B Minor | 0 | 10A | 133 BPM | ||
| 24 Preludes, Op. 37, BV 181: No. 1 in C Major | Ferruccio Busoni, Holger Groschopp | F Major | 0 | 7B | 69 BPM | ||
| Wiener-Damen Ländler und Ecoissaisen, Op. 67, D.734, Ländler: No. 14 in B Minor - No. 15 in G Major | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
| Ein Cyclus von Phantasiestücken, Op. 5: IV. Andante con moto | Julius Röntgen, Mark Anderson | A♭ Major | 0 | 4B | 78 BPM | ||
| Suite No. 1 in A Major, HWV 426: I. Prelude | George Frideric Handel, Danny Driver | G Major | 1 | 9B | 107 BPM | ||
| 5 Klavierstücke, S.192: No. 1, Sehr langsam | Franz Liszt, Mark Anderson | E♭ Major | 0 | 5B | 133 BPM | ||
| Prelude No. 3 | Florence Ewart, Jeanell Carrigan | A Minor | 0 | 8A | 74 BPM |