The Harry Lyd Orchestra's 'The Seduction' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 35 in the song's album "The Classic Songs From The Movies Collection". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, The Seduction's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With The Seduction by The Harry Lyd Orchestra having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sacrifice | The Harry Lyd Orchestra | D♭ Major | 4 | 3B | 113 BPM | ||
| Just The Way You Are | Gil Ventura | D Major | 2 | 10B | 111 BPM | ||
| I'll Be There | Bruno Bertone, Kenny J. Charles | F Major | 5 | 7B | 82 BPM | ||
| Yesterday | Nathan Reed | F Major | 1 | 7B | 98 BPM | ||
| Feelings | Gil Ventura | D Minor | 5 | 7A | 159 BPM | ||
| If You Leave Me Now | Nathan Reed | B Major | 2 | 1B | 106 BPM | ||
| Can´t Help Falling in Love With You | Svenssons Treooo, Monika Bring | B♭ Major | 1 | 6B | 96 BPM | ||
| All By Myself | Daisy James | A Minor | 2 | 8A | 67 BPM | ||
| How Deep Is Your Love | Daisy James | E♭ Major | 4 | 5B | 108 BPM | ||
| Evergreen | Karmaley Ween | A Major | 3 | 11B | 130 BPM | ||
| Have I Told You Lately | Montgomery Smith | A Major | 3 | 11B | 131 BPM | ||
| He Ain't Heavy Hes My Brother | The Royal Sax Company | A Major | 3 | 11B | 139 BPM | ||
| For All We Know | Birmingham Light Orchestra | G Major | 2 | 9B | 68 BPM | ||
| From This Moment On | Glendon Smith | D♭ Major | 3 | 3B | 140 BPM | ||
| A Man and a Woman | Norman Scott | G Major | 6 | 9B | 132 BPM | ||
| I Don't Know how to Love Him | The Gary Wilson Orchestra | D Major | 4 | 10B | 80 BPM | ||
| Home | The Royal Sax Band | G Major | 3 | 9B | 110 BPM | ||
| I Can See Clearly Now | Norman Scott | C Major | 5 | 8B | 120 BPM | ||
| She - Instrumental | Polo Solís | D♭ Major | 4 | 3B | 132 BPM | ||
| As Time Goes By | Snake Hips Johnson | A♭ Major | 6 | 4B | 78 BPM | ||
| First Light | BLUE SKY MELODY | G Major | 3 | 9B | 110 BPM | ||
| Je T'aime Moi Non Plus | Friends Collective Orchestra | C Major | 4 | 8B | 168 BPM | ||
| Signs Along the Road | Jordan Raut | G Major | 3 | 9B | 110 BPM | ||
| Goodbye Yellow Brick Road | Noah Perry | F Major | 4 | 7B | 122 BPM | ||
| Blue Eyes | Snake Hips Johnson | F Major | 5 | 7B | 140 BPM |