"Sorry Too (From "The Deep Outside" Soundtrack)" by The Deep Outside, Chris Vana had its release date on February 14, 2026. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Sorry Too (From "The Deep Outside" Soundtrack)'s duration is considered a little bit shorter than the average duration of a typical track. Since Sorry Too (From "The Deep Outside" Soundtrack) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Sorry Too (From "The Deep Outside" Soundtrack) is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Sorry Too (From "The Deep Outside" Soundtrack) by The Deep Outside, Chris Vana having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Folding Chairs at Empty Tables | DJ V3NOMS | F Major | 3 | 7B | 148 BPM | ||
| Ghostwriter in the Margins | BISTROW BEN | F Major | 3 | 7B | 148 BPM | ||
| Nothing Left to Prove | The Velvet Sundown | F Major | 3 | 7B | 148 BPM | ||
| All the Birds | GoldenOak | D Major | 5 | 10B | 100 BPM | ||
| Lady of my Heart | Ezra Vancil | F Major | 3 | 7B | 148 BPM | ||
| Undercurrents | Dan Haynes | F Major | 3 | 7B | 148 BPM | ||
| Party | Michaeamsien | F Major | 0 | 7B | 65 BPM | ||
| Sŵn y Môr | Lonely Mountain | F Major | 3 | 7B | 148 BPM | ||
| Higher Love | Adam Holmes | C Major | 1 | 8B | 75 BPM | ||
| art | Taylor Armstrong | F Major | 3 | 7B | 148 BPM | ||
| Carved In Time | Robby Hecht | E♭ Major | 2 | 5B | 127 BPM | ||
| Lightning | TOORA | E Major | 3 | 12B | 127 BPM | ||
| Threads | Leo Kerem | A♭ Major | 6 | 4B | 72 BPM | ||
| Satellites Growing Old Together | Billie Rouss | D Major | 3 | 10B | 127 BPM | ||
| Drop the Gun | Jason Piquette | E♭ Major | 1 | 5B | 129 BPM | ||
| Fading Ink on a Love Letter | JOSS MINE | F Major | 3 | 7B | 148 BPM | ||
| hope on the dash | Brothers | D Major | 0 | 10B | 143 BPM | ||
| Follow | Booshle G. | F Major | 3 | 7B | 148 BPM | ||
| Keep Dreaming | Bren Ricci | F Major | 3 | 7B | 148 BPM | ||
| Time Is the Healer | Darling West | A Major | 0 | 11B | 68 BPM | ||
| Our Little World | Darling West | A Major | 2 | 11B | 84 BPM | ||
| My Never to Be Wife | Francis Lawrence | F Major | 3 | 7B | 148 BPM | ||
| Warm Water | Robby Hecht, Amber Rubarth | E Major | 2 | 12B | 133 BPM | ||
| Ocean Ave | Tommy Marra, Joe Uzzo | A Major | 3 | 11B | 147 BPM | ||
| Poke The Bear | Matt Shenk | F Major | 3 | 7B | 148 BPM |