Tarun Banerjee's 'Pakhi Bale Kare Debo' had a release date set for December 1, 1952. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Pakhi Bale Kare Debo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 47 in All Time Greats, Vol. 1 & 2 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Pakhi Bale Kare Debo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pakhi Bale Kare Debo by Tarun Banerjee is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Tomay Gaan Shonabo | Chinmoy Chatterjee | B♭ Minor | 2 | 3A | 101 BPM | ||
| Bhayankari Roop | Anuradha Paudwal | D Major | 5 | 10B | 145 BPM | ||
| Chand Aar Shurjo | Alka Yagnik | F♯ Minor | 4 | 11A | 78 BPM | ||
| Natun Purush Natun Purush | Bhupen Hazarika, Jayanta Hazarika | A Major | 3 | 11B | 146 BPM | ||
| E To Raag Noy Go E Je Abhiman | Manna Dey | D Major | 3 | 10B | 71 BPM | ||
| Mone Premer Batti Jole | Syed Abdul Hadi | E♭ Major | 3 | 5B | 143 BPM | ||
| E Nadi Emon Nadi | Manna Dey | E♭ Major | 3 | 5B | 114 BPM | ||
| Arunkanti Ke Go Jogi | Manabendra Mukherjee | E Major | 2 | 12B | 75 BPM | ||
| Ghum Bhulechhi Nijhum E Nishithe | S. D. Burman | E Major | 3 | 12B | 71 BPM | ||
| Manush Kule Janmo | Gostho Gopal Das | F Major | 5 | 7B | 152 BPM | ||
| Rone Bone Jangale | Rima Das Gupta | E Minor | 3 | 9A | 141 BPM | ||
| Naina Re Dekho | Khurshid, Rajkumari | B Major | 2 | 1B | 170 BPM | ||
| Tya Phulanchya Gandh | Hridaynath Mangeshkar | E Major | 1 | 12B | 67 BPM | ||
| Mangaldeep Jwele,Pt. 3 | Bappi Lahiri | G Major | 5 | 9B | 117 BPM | ||
| Amra Bandhu Dujan | Bappi Lahiri, Reema Lahiri | A♭ Minor | 9 | 1A | 161 BPM | ||
| Yeh Bharat Ki Hai Shaan | Sridhar Parsekar, Master Krishnarao | E Major | 3 | 12B | 79 BPM | ||
| Tumi Jodi Nadi Hote | Arundhati Holme Chowdhury, Salil Chowdhury | A Major | 3 | 11B | 143 BPM | ||
| Jemon Sreeradha Kande | Shyamal Mitra | D♭ Major | 2 | 3B | 66 BPM | ||
| Ei Pathe Jay Chole Jhara Pata Jay Dale | Shyamal Mitra | F♯ Minor | 2 | 11A | 109 BPM | ||
| Ke Jane Kobe Abar - Panna Heerey Chuni | Salil Mitra | F Major | 4 | 7B | 75 BPM | ||
| Khomite Parilam Na | Hemanta Mukhopadhyay | B Major | 6 | 1B | 93 BPM | ||
| Aaj Jyotsnaraate Sobai | Sagar Sen | E Minor | 3 | 9A | 89 BPM | ||
| Kandari Go | Parikshit Bala | D Major | 4 | 10B | 101 BPM | ||
| Jago Re Jago Anjani Rajkumari | Aarti Mukherji, Subir Sen | F Major | 5 | 7B | 74 BPM |