"Blood on the Street" by Experia had its release date on February 3, 2012. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Blood on the Street's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 29 in Borderline Dilemma by Experia. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Blood on the Street's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Blood on the Street by Experia is Allegro (fast, quick, and bright), since this song has a tempo of 149 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Call of Raven's Hollow | Zachary Heyde, Zach Heyde | A Major | 4 | 11B | 140 BPM | ||
| Rockwell's Diary 8 | Gareth Coker | G Major | 6 | 9B | 170 BPM | ||
| Beneath the Church | Jo Wandrini | F Major | 2 | 7B | 122 BPM | ||
| Where Does It End | Max Anson | B Major | 3 | 1B | 87 BPM | ||
| There Is Still Time | John Utah | B♭ Minor | 2 | 3A | 120 BPM | ||
| Probable Cause | Experia | A♭ Minor | 2 | 1A | 118 BPM | ||
| A New Dominant Form | Hampus Naeselius | D Minor | 1 | 7A | 67 BPM | ||
| Can I Reach You | Experia | B Minor | 2 | 10A | 167 BPM | ||
| Covert Affairs | Christoffer Moe Ditlevsen | D Minor | 2 | 7A | 100 BPM | ||
| Uncharted Worlds (From "Mass Effect") | Somnia Arcadia | A♭ Major | 2 | 4B | 115 BPM | ||
| There Is No Sequel | Philip Ayers | G Minor | 4 | 6A | 120 BPM | ||
| Triaggelos: Remaining | Metal Scar Radio, Gareth Coker | G Major | 6 | 9B | 170 BPM | ||
| Veil of Darkness | Cavendish Music | A♭ Major | 6 | 4B | 96 BPM | ||
| Bakumatsu II | Akihiro Manabe | G Major | 6 | 9B | 170 BPM | ||
| Whatever Rocks Your Boat | Hampus Naeselius | F Minor | 9 | 4A | 128 BPM | ||
| Anni Luce | Non Binary | G Major | 6 | 9B | 90 BPM | ||
| Sim Sunrise | Scorewizard | F Major | 3 | 7B | 120 BPM | ||
| Timelessness | Sam Will | F Minor | 2 | 4A | 67 BPM | ||
| Skybound Synths | Cosmic Drift | D♭ Minor | 3 | 12A | 85 BPM | ||
| Trabajando Juntos | Hasta El Final | F Major | 1 | 7B | 85 BPM | ||
| Crime Scene Mystery Investigation | RealTunesStudio | G Major | 1 | 9B | 90 BPM | ||
| Automatic City | Hampus Naeselius | B♭ Major | 3 | 6B | 80 BPM | ||
| Circuit | Pakk Hui | A♭ Major | 0 | 4B | 65 BPM | ||
| Rise to Speak | Experia | B♭ Minor | 9 | 3A | 162 BPM | ||
| Private Eye | Jon Björk | A Minor | 2 | 8A | 55 BPM |