Pascal Sévajols's 'Points - Coda / Fouettés 2/4 8x8' had a release date set for September 15, 2021. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 47 in the song's album "Pascal Sévajols plays Ballet Class - Vaganova Grade 8th". In this album, this song's track order is #45. Furthermore, we believe that the track originated from Germany. Points - Coda / Fouettés 2/4 8x8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Points - Coda / Fouettés 2/4 8x8 by Pascal Sévajols having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Papillons, Op.2: 5. | Robert Schumann, András Schiff | B♭ Major | 0 | 6B | 65 BPM | ||
| Sonata in G Minor: II. Adagio | Anna Lipiak | D Minor | 2 | 7A | 147 BPM | ||
| Berceuse in D-Flat Major | Mily Balakirev, Angelo Martino | D♭ Major | 0 | 3B | 70 BPM | ||
| The Ballad of a Good Days Work | Teres | F Major | 1 | 7B | 124 BPM | ||
| Battement glissee 4/4 | Pascal Sévajols | A Minor | 1 | 8A | 178 BPM | ||
| A Possible Path - Oltrepassare IV | Pietro Roffi | B Minor | 2 | 10A | 96 BPM | ||
| Keyboard Sonata in C major "La caccia", K. 159, L. 104 | Richard Settlement | A♭ Major | 1 | 4B | 92 BPM | ||
| Salopette Invitante | Samantha Penn | B Minor | 0 | 10A | 117 BPM | ||
| FRAPPÉ ~Tea for Two~ - 4/4 8×4+16 | Shino Takizawa | D♭ Major | 2 | 3B | 81 BPM | ||
| バットマン・タンデュ 「フー・ケアーズ?」より”ザ・マン・アイ・ラブ” 4/4 64 | 滝澤 志野 | E♭ Major | 2 | 5B | 108 BPM | ||
| 春に寄す Op.43-6(グリーグ) | 松本和将 | F♯ Major | 1 | 2B | 74 BPM | ||
| Adagio Ⅱ 3/4 (Serenade for Strings op.48) | Eun S. Kim | E♭ Major | 1 | 5B | 105 BPM | ||
| Battements Tendus (Face á la Barre) - 4/4 - 16x8 | Pascal Sévajols | D Minor | 1 | 7A | 82 BPM | ||
| Ronds de jambe à terre 4/4 8x8 | Pascal Sévajols | B Major | 0 | 1B | 70 BPM | ||
| Way Back Home | Book Cafe | D♭ Minor | 0 | 12A | 135 BPM | ||
| Epithalamium | William Bolcom, Marc-André Hamelin | D Major | 1 | 10B | 69 BPM | ||
| Prelude No. 3 in G Minor | Matthew Thomas Soong, Anna Sutyagina | E♭ Major | 1 | 5B | 92 BPM | ||
| Moment Musical | Ingo Höricht, Gordon Hamilton | C Minor | 1 | 5A | 94 BPM | ||
| String Quartet (Ronds de Jambe à Terre) | Miwa Hoshi | F♯ Minor | 2 | 11A | 80 BPM | ||
| Warming-up Ⅰ | F.Andre, Jiwon Choi | E Minor | 4 | 9A | 133 BPM | ||
| Lieder ohne Worte, Op. 19b: VI. Andante sostenuto in G Minor | Felix Mendelssohn, Roberte Mamou | C Major | 0 | 8B | 83 BPM | ||
| Romance Sans Paroles, Op. 17 No. 3 - Duo-Art 5659 | Gabriel Fauré, Ossip Gabrilowitsch, Peter Phillips | F Major | 1 | 7B | 73 BPM | ||
| 4 Moments Musicaux, Op. 84: No. 4 in G Major, Animato ma non troppo | Moritz Moszkowski, Vadim Chaimovich | G Major | 1 | 9B | 116 BPM | ||
| ROND DE JAMBE À TERRE ~West Side Story~ - 3/4 8×8 - Cover | Shino Takizawa | D Major | 1 | 10B | 113 BPM | ||
| Pirouette: Valse Triste | Trisha Wolf | G Major | 4 | 9B | 150 BPM |