"L'Invitation à Venise" by Nilda Fernandez had its release date on February 3, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Nilda Fernandez". In this album, this song's track order is #5. Furthermore, we believe that the track originated from France. Based on our statistics, L'Invitation à Venise's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With L'Invitation à Venise by Nilda Fernandez having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Alexis m'attend | Philippe Lafontaine | E Minor | 2 | 9A | 112 BPM | ||
| Mais moi j'ai rien dit | Pierre Bachelet | C Major | 4 | 8B | 102 BPM | ||
| Il suffirait de presque rien | Serge Reggiani | F Major | 5 | 7B | 118 BPM | ||
| La nuit je mens | Alain Bashung | B Minor | 7 | 10A | 147 BPM | ||
| Nous (Donna Donna Mia) | Hervé Vilard | F♯ Minor | 5 | 11A | 119 BPM | ||
| Les absents ont toujours tort - Version Piano – Voix | Louis Chedid, Yvan Cassar | C Major | 4 | 8B | 150 BPM | ||
| Tout c'qui nous sépare | Jil Caplan | D♭ Major | 5 | 3B | 98 BPM | ||
| Quelque chose a changé | Eddy Mitchell | G Major | 5 | 9B | 92 BPM | ||
| J'adore | Grégoire | F Major | 3 | 7B | 96 BPM | ||
| Les passantes - Live | Maxime Le Forestier | G Major | 3 | 9B | 78 BPM | ||
| Rendez-vous manqués | Nilda Fernandez | E Major | 3 | 12B | 124 BPM | ||
| La Goutte d'Eau | Nicole Rieu | F♯ Minor | 0 | 11A | 85 BPM | ||
| Dis, Quand Reviendras-Tu? | Nilda Fernandez | B♭ Minor | 3 | 3A | 91 BPM | ||
| Tamisez Londres | Philippe Lafontaine | E♭ Minor | 6 | 2A | 141 BPM | ||
| Chaque jour de plus | Michel Fugain | D Minor | 1 | 7A | 115 BPM | ||
| Enfin, tu me viendras | Mouloudji | C Minor | 2 | 5A | 74 BPM | ||
| Une vie | La Grande Sophie | E Minor | 7 | 9A | 120 BPM | ||
| J'l'ai pas touchée - Live 2006 | Raphaël | C Major | 6 | 8B | 181 BPM | ||
| Une chanson qui te ressemblerait | William Sheller | B♭ Major | 2 | 6B | 116 BPM | ||
| Ça casse | Maurane | F Minor | 4 | 4A | 124 BPM | ||
| Elle est comme personne - A cappella | Jean-Patrick Capdevielle | G Major | 5 | 9B | 115 BPM | ||
| L'Homme Au Bouquet De Fleurs - Live 2002 | Maxime Le Forestier | D Minor | 6 | 7A | 126 BPM | ||
| La craie dans l'encrier - Remastered | Catherine Lara | A Minor | 5 | 8A | 131 BPM | ||
| Silence | Stephan Eicher | C Major | 4 | 8B | 87 BPM | ||
| Sous les étoiles à Montréal | Arthur H | D Minor | 1 | 7A | 123 BPM |