Arthur Sullivan, Michael Wakeham, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey's ' "3. For the merriest fellows are we" was released on its scheduled release date, January 1, 2011. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 4 out of 456. On top of that, United Kingdom appears to be the country where this track was created. 3. For the merriest fellows are we is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of 3. For the merriest fellows are we by Arthur Sullivan, Michael Wakeham, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El barberillo de Lavapiés, Acto I: Marquesita, Don Luis, Paloma, Lamparilla y Coro General | Ataúlfo Argenta, Ana Maria Olaria, Teresa Berganza, Gran Orquesta Sinfonica, Carlos Munguia, Francisco Asenjo Barbieri, Coro De Camara Del Orfeon Donostiarra | F Major | 4 | 7B | 122 BPM | ||
| Les Contes d'Hoffmann (1989 Digital Remaster), Act II: Non aucun hôte vraiment (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Mallabrera, Ernest Blanc, Renée Faure, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | A Major | 3 | 11B | 98 BPM | ||
| Lift up Your Heads | Harmonious Chorale Ghana | C Major | 2 | 8B | 107 BPM | ||
| Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
| Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
| The Maid of the Mountains (highlights) (1972 Digital Remaster) (1972 - Remaster), Act I: My life is love (Love is my life) (Teresa, chorus, Beppo)* | Harold Fraser-Simson, Chorus & Orchestra/Derek Taverner, Derek Taverner | G Major | 2 | 9B | 89 BPM | ||
| Bizet: Carmen, Act 1: "Sur la place, chacun passe, chacun vient, chacun va" (Moralès, Dragons) | Georges Bizet, Sir Simon Rattle, Andrè Schuen, Berliner Philharmoniker, Chor des Deutschen Staatsoper | B♭ Major | 1 | 6B | 109 BPM | ||
| Caro Mio Ben | Paul Potts | G Minor | 3 | 6A | 73 BPM | ||
| Laudaste Dóminum, monedas gentes (salmo 116) | Orfeón de Miravalles | A♭ Major | 2 | 4B | 82 BPM | ||
| Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM | ||
| Songs of the Fleet, Op. 117: II. The Song of the Sou'Wester | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | C Major | 2 | 8B | 89 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| A Sea Symphony: III. Scherzo - The Waves (Allegro brillante) | Ralph Vaughan Williams, Hallé, Sir Mark Elder | G Major | 2 | 9B | 169 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
| H.M.S. Pinafore, Act II: Never Mind the Why and Wherefore | Gilbert & Sullivan Society of Houston | B Major | 3 | 1B | 138 BPM | ||
| 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | ||
| Article | RECUERDO | E Major | 4 | 12B | 79 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel and Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM | ||
| Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | F Major | 2 | 7B | 94 BPM | ||
| Wagner: Lohengrin, Act 2: "Des Königs Wort und Will' tu ich euch kund" (Herald, Frederick, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Falk Struckmann, Roman Trekel, Staatskapelle Berlin | D Major | 3 | 10B | 93 BPM | ||
| Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen | Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler | F Minor | 1 | 4A | 63 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Komm! Hebe dich zu höhern Sphären! | Gustav Mahler, Marta Boberska, Timothy Bentch, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E♭ Major | 1 | 5B | 85 BPM | ||
| Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
| A High, Holy Calling God's Given | Hidden Treasures Music, Ståle Risnes, Mary-Lee Jacquier | E Major | 4 | 12B | 79 BPM |