Eric Steckel's 'Reach for the Skies' had a release date set for March 24, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 5 in the song's album "The California Sessions". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Reach for the Skies's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Reach for the Skies by Eric Steckel having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Redemption | Danny Bryant | D Major | 4 | 10B | 136 BPM | ||
| Waking Up | King King | F Major | 9 | 7B | 160 BPM | ||
| Mercy | Julian Sas | F Major | 7 | 7B | 101 BPM | ||
| Way Down Deep | David Grissom | F Major | 8 | 7B | 168 BPM | ||
| Canyon Moon | Outlaw Algorithm | D Major | 5 | 10B | 177 BPM | ||
| Since I’ve Been Loving You | Larissa Liveir | E Minor | 5 | 9A | 118 BPM | ||
| Time Might Never Come | Ben Poole | A♭ Minor | 3 | 1A | 120 BPM | ||
| Zostawiłaś Mnie | Pudelsi | D Major | 4 | 10B | 136 BPM | ||
| Real Life Blues - Remastered | Alvin Lee | F♯ Minor | 5 | 11A | 84 BPM | ||
| Lost Highway Blues | Whiskey Blues | C Minor | 5 | 5A | 154 BPM | ||
| Same Old Blues | Eric Steckel | D♭ Major | 4 | 3B | 131 BPM | ||
| Change | Stevie Nimmo | G Major | 6 | 9B | 102 BPM | ||
| The One | Supersonic Blues Machine | D Minor | 9 | 7A | 124 BPM | ||
| Through Your Eyes | Eric Steckel | D Major | 4 | 10B | 136 BPM | ||
| So Alone | Lance Lopez | D♭ Major | 8 | 3B | 110 BPM | ||
| Blues for the Lost and Found | Julian Sas | F Major | 8 | 7B | 152 BPM | ||
| Kyoto | Sean Mann | B♭ Minor | 3 | 3A | 168 BPM | ||
| One More Try | Simon McBride | B Minor | 6 | 10A | 140 BPM | ||
| You Give Me Life | Eric Gales | F Minor | 7 | 4A | 168 BPM | ||
| Waitin' for the Bus | Eric Steckel | D Major | 4 | 10B | 136 BPM | ||
| Back to You | Devon Allman | G Minor | 7 | 6A | 193 BPM | ||
| Can't Lose 'Em All | Devon Allman | E Minor | 8 | 9A | 99 BPM | ||
| Measure Of A Man | Matt Schofield | C Minor | 4 | 5A | 111 BPM | ||
| I'm Still Your Man | The Bluesbones | F♯ Major | 5 | 2B | 175 BPM | ||
| Midnight Comes Too Soon | Robben Ford | A Minor | 5 | 8A | 77 BPM |