"Hold Tighter!" by Clint Mansell had its release date on January 1, 2005. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Hold Tighter!'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Sahara (Original Score)". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Hold Tighter! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hold Tighter! by Clint Mansell having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dead Ballerina | John Murphy | E Minor | 1 | 9A | 169 BPM | ||
| Origin Story | West Dylan Thordson | G Minor | 5 | 6A | 80 BPM | ||
| Duet | Sugar Vendil And Trevor Gureckis | F Major | 1 | 7B | 120 BPM | ||
| Coda | Rob Simonsen | F♯ Minor | 3 | 11A | 117 BPM | ||
| I Drive | Cliff Martinez | C Major | 1 | 8B | 78 BPM | ||
| Waking Up | M83, Anthony Gonzalez, Joseph Trapanese | C Minor | 5 | 5A | 96 BPM | ||
| Out | Ben Salisbury, Geoff Barrow | B Minor | 1 | 10A | 99 BPM | ||
| Pale Blue Dot | Roger Goula | G Minor | 2 | 6A | 94 BPM | ||
| Journey to the Line (From "The Thin Red Line" Soundtrack) | Hans Zimmer, Gavin Greenaway | A Minor | 1 | 8A | 120 BPM | ||
| The Departure | Michael Nyman | D Minor | 3 | 7A | 178 BPM | ||
| Mercedes Lullaby | Javier Navarrete | F Minor | 1 | 4A | 76 BPM | ||
| Main Titles | Marco Beltrami | G Major | 2 | 9B | 71 BPM | ||
| Beginning of the End Movement I | The Newton Brothers | F Major | 0 | 7B | 74 BPM | ||
| Fargo Main Theme (Choir) | Jeff Russo | D Minor | 0 | 7A | 133 BPM | ||
| Sonmi-451 Meets Chang | Tom Tykwer, Johnny Klimek, Reinhold Heil | D♭ Major | 2 | 3B | 168 BPM | ||
| The Night Window (From "1917" Soundtrack) | Thomas Newman | B♭ Major | 1 | 6B | 77 BPM | ||
| Ghosts | Clint Mansell, Kronos Quartet | G Major | 1 | 9B | 88 BPM | ||
| Any Other Name | Thomas Newman | G Minor | 0 | 6A | 78 BPM | ||
| Meeting the Others | West Dylan Thordson | E♭ Minor | 1 | 2A | 139 BPM | ||
| J'ai perdu mon corps | Dan Levy | F Minor | 2 | 4A | 140 BPM | ||
| Epilogue | Dario Marianelli | E Minor | 1 | 9A | 100 BPM | ||
| Encantador | Zapete | B♭ Minor | 3 | 3A | 160 BPM | ||
| The Promise | Michael Nyman | A Minor | 2 | 8A | 80 BPM | ||
| Montage | Fernando Velázquez | A Major | 0 | 11B | 68 BPM | ||
| Summer Overture | Clint Mansell, Kronos Quartet | F Major | 2 | 7B | 67 BPM |