On June 20, 2019, the song "TV Was Better When I Was Younger" was released by Milton Man Gogh. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Milton Man Gogh's "How To Be Big & Small (At The Same Time)" album is number 8 out of 10. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, TV Was Better When I Was Younger is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of TV Was Better When I Was Younger by Milton Man Gogh to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Another Way | Levitation Orchestra | A Minor | 4 | 8A | 135 BPM | ||
| Remember Rosalind | James Brandon Lewis Quartet | E Minor | 3 | 9A | 73 BPM | ||
| Falling Grace | Petros Klampanis, Ziv Ravitz, Kristjan Randalu | C Minor | 1 | 5A | 81 BPM | ||
| Time To Let Go | Brintex Collective, NIA | D♭ Minor | 3 | 12A | 171 BPM | ||
| Le château des sirènes | Thierry Maillard, Dominique Di Piazza, André Ceccarelli | G Major | 5 | 9B | 80 BPM | ||
| Tersane | Ilhan Ersahin, Alp Ersönmez, İzzet Kızıl, Turgut Alp Bekoğlu | D♭ Major | 6 | 3B | 98 BPM | ||
| Tone Paintings | Chris McCarthy, Takuya Kuroda, Sam Minaie, Eden Bareket, Steven Crammer | C Major | 2 | 8B | 111 BPM | ||
| Urban Myth | Will Vinson, Gilad Hekselman, Nate Wood | D Major | 3 | 10B | 110 BPM | ||
| Form of Attack | Deadeye, Reinier Baas, Kit Downes | C Major | 9 | 8B | 105 BPM | ||
| Stalker List | LaMP, Russ Lawton, Scott Metzger, Ray Paczkowski | F Major | 9 | 7B | 116 BPM | ||
| Mi Tambor | Michael League, Pedrito Martinez, Antonio Sánchez | D♭ Major | 6 | 3B | 98 BPM | ||
| The Shadowlands | Joel Ross | D♭ Major | 6 | 3B | 98 BPM | ||
| EVIVALARTE (krótki metraż) | Piotr Odoszewski, KiNi | D♭ Minor | 5 | 12A | 73 BPM | ||
| St James Infirmary | Laura Jurd | F♯ Major | 7 | 2B | 107 BPM | ||
| Moondrawn (Dreaming) | Emma Rawicz | B♭ Major | 3 | 6B | 152 BPM | ||
| We Emerge | Patrick Booth | E♭ Major | 5 | 5B | 110 BPM | ||
| Modul 63 | Nik Bärtsch | B♭ Minor | 3 | 3A | 110 BPM | ||
| For Theo | Tineke Postma, Robert Landfermann, David Dorůžka, Tristan Renfrow, Theo Bleckmann | E♭ Major | 2 | 5B | 140 BPM | ||
| Salt and Silence | Haeun Joo | D♭ Major | 6 | 3B | 98 BPM | ||
| 519 KM Is Too Far for Kissing You | Maximilian Hering, Fernando Brox, Edu Cabello, Victor Carrascosa, David Muñoz, Lucia Fumero | D♭ Major | 6 | 3B | 98 BPM | ||
| Along the Malecon | Adam O'Farrill | D♭ Major | 6 | 3B | 98 BPM | ||
| The Truth | DoomCannon | A♭ Major | 9 | 4B | 127 BPM | ||
| Drafts | eel | D♭ Major | 6 | 3B | 98 BPM | ||
| Dreams We Hold | Dave Douglas | D♭ Major | 6 | 3B | 98 BPM | ||
| Comfort Station | Jeremy Cunningham, Dustin Laurenzi, Paul Bryan | D♭ Major | 5 | 3B | 160 BPM |