Roberto Rufino, Orquesta de Carlos Di Sarli's ' "Zorzal" was released on its scheduled release date, January 14, 2011. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Zorzal's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tango Collection". In this album, this song's track order is #15. In terms of popularity, Zorzal is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Zorzal by Roberto Rufino, Orquesta de Carlos Di Sarli having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Palomita mia | Ricardo Tanturi y Enrique Campos | D Major | 4 | 10B | 122 BPM | ||
| Después | Miguel Caló | D Major | 3 | 10B | 130 BPM | ||
| La Melodia de Nuestro Adios | Francisco Lomuto, Jorge Omar | D Minor | 1 | 7A | 133 BPM | ||
| Corazón | Carlos Di Sarli, Roberto Rufino | D♭ Major | 2 | 3B | 136 BPM | ||
| La luz de un fosforo | Aníbal Troilo, Alberto Marino | F Major | 2 | 7B | 125 BPM | ||
| La Cumparsita | Florindo Sassone Y Su Orquesta | G Minor | 2 | 6A | 113 BPM | ||
| Que nunca me falte | Ricardo Tanturi y Enrique Campos | D♭ Minor | 3 | 12A | 130 BPM | ||
| Viejo Portón | Pablo Valle Sexteto | A♭ Major | 4 | 4B | 114 BPM | ||
| La rumbita candombe | Orquesta Típica Francisco Canaro, Carlos Roldán | E Minor | 4 | 9A | 103 BPM | ||
| Corralera | Quinteto Pirincho | C Major | 3 | 8B | 100 BPM | ||
| Yo Soy el Tango | Aníbal Troilo, Francisco Fiorentino | C Major | 2 | 8B | 108 BPM | ||
| Patotero Sentimental | Roberto Rufino, Baffa-Berlingieri, Herencia Porteña | F Major | 4 | 7B | 113 BPM | ||
| Esta Noche al Pasar | Pedro Laurenz, Jorge Linares | G Minor | 2 | 6A | 121 BPM | ||
| Eras Como La Flor | Juan D'Arienzo y su Orquesta Típica | E Minor | 4 | 9A | 126 BPM | ||
| Cortado Camino | Roberto Rufino, Orquesta de Carlos Di Sarli | C Major | 4 | 8B | 105 BPM | ||
| Jamas Ni Nunca | La Juan D'Arienzo | G Minor | 5 | 6A | 137 BPM | ||
| Negro carbón | Quinteto Pirincho | G Major | 3 | 9B | 110 BPM | ||
| Café Domínguez | Cuarteto Mulenga | G Minor | 4 | 6A | 124 BPM | ||
| Tormenta | Francisco Lomuto y su Orquesta Típica | B Minor | 4 | 10A | 132 BPM | ||
| Lo Mismo Que Antes | Roberto Rufino, Orquesta de Carlos Di Sarli | B Minor | 2 | 10A | 124 BPM | ||
| Bien Porteña | Los Reyes Del Tango | C Major | 5 | 8B | 128 BPM | ||
| Orillas Del Plata | Juan D'Arienzo y su Orquesta Típica | E Minor | 4 | 9A | 106 BPM | ||
| Rubí | Roberto Rufino, Baffa-Berlingieri, Herencia Porteña | D Minor | 5 | 7A | 114 BPM | ||
| Argañaraz | Orquesta Típica Tanturi | D Major | 3 | 10B | 142 BPM | ||
| Un dia mas | O.T. Francini-Pontier, Roberto Rufino | F Minor | 1 | 4A | 122 BPM |