Passepartout Duo's ' "Epigram III" was released on its scheduled release date, February 26, 2021. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 5 in Epigrams by Passepartout Duo. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Epigram III is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Epigram III by Passepartout Duo is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burnt Toast | Gregory Uhlmann | C Minor | 0 | 5A | 141 BPM | ||
| King in a Nutshell | Passepartout Duo, INOYAMALAND | C Major | 2 | 8B | 147 BPM | ||
| Clessidra - More Eaze Remix | Laurie Torres, More Eaze | C Minor | 4 | 5A | 127 BPM | ||
| Sunder | K. Leimer | D Major | 0 | 10B | 73 BPM | ||
| Now Is Now | Omni Gardens | G Major | 1 | 9B | 177 BPM | ||
| Echo's refrain | Arp, Takuma Watanabe | E♭ Major | 2 | 5B | 81 BPM | ||
| Muku | David Cordero, Rhucle | C Minor | 0 | 5A | 141 BPM | ||
| ヒヨドリジョウゴ すれ違い | cero | B Major | 0 | 1B | 82 BPM | ||
| The Girl In The Glass Brocade (I) | Mark Barrott | D Major | 0 | 10B | 131 BPM | ||
| Bamboo grove | The Kyoto Connection | D Minor | 1 | 7A | 123 BPM | ||
| Tsuyu | aus | A♭ Major | 0 | 4B | 77 BPM | ||
| Dream of Someone | Pan-American, Michael Grigoni | A Major | 2 | 11B | 103 BPM | ||
| Everything Starts After the Horizon | Hior Chronik, Yara Asmar | C Major | 1 | 8B | 120 BPM | ||
| Jicama | Gregory Uhlmann, Josh Johnson, Sam Wilkes | A Major | 1 | 11B | 100 BPM | ||
| Weighted Room | K. Leimer | C Minor | 0 | 5A | 141 BPM | ||
| Body in the shadows, face in the light | Jolanda Moletta, Karen Vogt | B Major | 8 | 1B | 120 BPM | ||
| Tender of Land | M. Sage | D♭ Major | 3 | 3B | 76 BPM | ||
| Rumi Nation | DOVS | A Minor | 1 | 8A | 85 BPM | ||
| Hokkaido | Emily A. Sprague | F Major | 4 | 7B | 85 BPM | ||
| xxx.xi.mmxxv | Tomáš Niesner | E♭ Major | 3 | 5B | 73 BPM | ||
| Being and Absence | kita kouhei | C Minor | 0 | 5A | 141 BPM | ||
| Samatha II | Gregory Allison, Tristan De Liege | C Major | 2 | 8B | 134 BPM | ||
| Chimes | Luke Wyland | G Minor | 2 | 6A | 168 BPM | ||
| We Flow Ever Downwards, Until We Blossom | aus, The Humble Bee | C Minor | 0 | 5A | 141 BPM | ||
| I Follow a Barren Path Across the Old Mountain | aus, The Humble Bee | C Minor | 0 | 5A | 141 BPM |