Piesn Roksany - Transcription for violin and Piano: Paul Kochanski by Karol Szymanowski, Kaja Danczowska, Krystian Zimerman Song Details

"Piesn Roksany - Transcription for violin and Piano: Paul Kochanski" by Karol Szymanowski, Kaja Danczowska, Krystian Zimerman had its release date on January 1, 2006. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 9 in Franck: Violin Sonata / Szymanowski: Mythes a.o. by Kaja Danczowska, Krystian Zimerman. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Piesn Roksany - Transcription for violin and Piano: Paul Kochanski is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of Piesn Roksany - Transcription for violin and Piano: Paul Kochanski by Karol Szymanowski, Kaja Danczowska, Krystian Zimerman is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Music Key

This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 3%
Loudness: -28.131 dB
Acousticness: 96%
Danceability: 16%
Energy: 2%
Instrumentalness: 25%
Liveness: 7%
Loudness: 53%
Speechiness: 5%
Valence: 4%

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