- BPM
- 184
- Key
- B♭ Major
- Camelot
- 6B
Introduction, Theme & Variations on Dal tuo stellato soglio from Rossini's Mose in Egitto, Op. 3, "I Brindisi" (Dedicated to Niccolò Paganini) by Roman Kim, Jure Gorucan Song Details
Roman Kim, Jure Gorucan's 'Introduction, Theme & Variations on Dal tuo stellato soglio from Rossini's Mose in Egitto, Op. 3, "I Brindisi" (Dedicated to Niccolò Paganini)' had a release date set for September 14, 2018. This song appears to be safe for all ages as it is not explicit. The track order of this song in Roman Kim's "KIMPOSSIBLE" album is number 10 out of 12. On top of that, South Korea appears to be the country where this track was created. The popularity of Introduction, Theme & Variations on Dal tuo stellato soglio from Rossini's Mose in Egitto, Op. 3, "I Brindisi" (Dedicated to Niccolò Paganini) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Introduction, Theme & Variations on Dal tuo stellato soglio from Rossini's Mose in Egitto, Op. 3, "I Brindisi" (Dedicated to Niccolò Paganini) by Roman Kim, Jure Gorucan to be Presto (very, very fast) because the track has a tempo of 184 BPM, a half-time of 92BPM, and a double-time of 368 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
Music Key
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -19.292 dB
- Acousticness
- 96%
- Danceability
- 36%
- Energy
- 16%
- Instrumentalness
- 19%
- Liveness
- 8%
- Loudness
- 68%
- Speechiness
- 6%
- Valence
- 20%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Partita No. 1 for Solo Violin in B Minor, BWV 1002: II. Double | Johann Sebastian Bach, Hilary Hahn | A Major | 4 | 11B | 75 BPM | |
 | Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | |
 | Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | |
 | Histoire du Tango: II. Café 1930 (Arr. for violin and piano by Dmitriy Varelas) | Louise Bessette, Marc Djokic | G Minor | 1 | 6A | 132 BPM | |
 | Orchestral Suite No. 3 in D Major, BWV 1068: Air (Arr. for Solo Violin) | Johann Sebastian Bach, Roman Kim | D♭ Minor | 1 | 12A | 97 BPM | |
 | Violin Sonata No. 9 in A Major, Op. 47, ‘Kreutzer’: III. Finale - Presto | Ludwig van Beethoven, PD, James Ehnes, Andrew Armstrong | A Major | 2 | 11B | 94 BPM | |
 | Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | |
 | Sicilienne for Cello & Piano, Op. 78 | Axel Salmona, Tatsiana Zakharava-Dahan | G Minor | 1 | 6A | 134 BPM | |
 | Zigeunerweisen, Op. 20: II. Lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 101 BPM | |
 | Paganiniana, Variations for Solo Violin | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | |
 | Menuet (Attr. Porpora) | Nicola Porpora, Mela Tenenbaum, Richard Kapp | D Major | 1 | 10B | 83 BPM | |
 | Schumann: Träumerei | Robert Schumann, Mischa Elman, Joseph Seiger | F Major | 1 | 7B | 85 BPM | |
 | Nocturne Op. 51, No. 3 | Jean Sibelius, Sarah Chang, Charles Abramovic | E Minor | 1 | 9A | 84 BPM | |
 | Five Pieces For Two Violins and Piano: IV. Waltz | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Minor | 1 | 6A | 179 BPM | |
 | Sonata For Solo Violin, Op. 115: 2. Andante dolce | Sergei Prokofiev, Gil Shaham | G Major | 1 | 9B | 64 BPM | |
 | Violin Sonata No. 1 in F Major, Op. 8: III. Allegro molto vivace | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D♭ Major | 3 | 3B | 110 BPM | |
 | Estrellita (Arr. Heifetz) | Manuel Ponce, Ray Chen, Julien Quentin | F♯ Major | 1 | 2B | 83 BPM | |
 | Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | D Major | 2 | 10B | 170 BPM | |
 | Sibelius: Violin Concerto in D Minor, Op. 47: III. Allegro ma non tanto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 2 | 10B | 105 BPM | |
 | Abbey Road concerto for Violin and Orchestra: X. Because | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 1 | 11B | 136 BPM | |
 | Grieg: Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | C Minor | 1 | 5A | 83 BPM | |
| Sonata No. 2 for Solo Violin in A Minor, BWV 1003: IV. Allegro | Johann Sebastian Bach, Hilary Hahn | A Minor | 2 | 8A | 83 BPM | |
 | Sonata Concertata for Guitar and Violin in A Major, Op. 61, MS2: 2. Adagio, assai espressivo | Mengla Huang, Xuefei Yang | A Minor | 0 | 8A | 81 BPM | |
 | Debussy: Beau Soir, L. 6 | Claude Debussy, Kyung Wha Chung, Kevin Kenner | E Major | 0 | 12B | 107 BPM | |
 | Eternal Dreams | Luna Mystic | E Major | 3 | 12B | 164 BPM |
- ISRC
- KRB461800296
- Label
- L-M Records/RCA Records