"Away" by Subheim had its release date on April 14, 2008. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 5 out of 11 in Approach by Subheim. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Away is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Away by Subheim is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Through the Path | Hior Chronik | B♭ Major | 2 | 6B | 75 BPM | ||
| Calm Sea | Maroa Viin | E Major | 1 | 12B | 75 BPM | ||
| far from home | FTBN | B♭ Major | 1 | 6B | 130 BPM | ||
| Agartha | Tristan Schuler | C Major | 2 | 8B | 120 BPM | ||
| Forlorn | Keosz | G Major | 3 | 9B | 79 BPM | ||
| Liminal | Near The Parenthesis | B♭ Major | 1 | 6B | 130 BPM | ||
| Aztec | Gracy Westwood, Grace Westwood | B Minor | 3 | 10A | 120 BPM | ||
| Naples | SAINT PETER | B♭ Major | 1 | 6B | 130 BPM | ||
| And All Is As It Should Be | Adam Fielding | E Minor | 1 | 9A | 120 BPM | ||
| Forsaken | Subheim | B♭ Minor | 5 | 3A | 100 BPM | ||
| Creep Strain | Ben Chatwin | B♭ Major | 5 | 6B | 122 BPM | ||
| So It Goes | Greg Haines | E Minor | 3 | 9A | 104 BPM | ||
| Before the End | Keosz | D♭ Minor | 2 | 12A | 90 BPM | ||
| Session III | The Odd Pattern, Wojciech Golczewski | A♭ Major | 4 | 4B | 91 BPM | ||
| Clear Breeze | Nira Volux | E♭ Minor | 4 | 2A | 99 BPM | ||
| Bloodline through the mirage | CoastalDives | G Minor | 1 | 6A | 90 BPM | ||
| Cold Whisper | Eguana, Reblooming | D Major | 4 | 10B | 139 BPM | ||
| 183 Times | Greg Haines | B♭ Major | 3 | 6B | 111 BPM | ||
| Système quatre | Nicolas Bernier Nathan Giroux, Nicolas Bernier, Nathan Giroux, Pur Pasteur | G Major | 1 | 9B | 137 BPM | ||
| Forget | Subheim | G Minor | 3 | 6A | 60 BPM | ||
| Light Shapes | Vexa Lune | E♭ Minor | 6 | 2A | 113 BPM | ||
| Perlen, Honig oder Untergang | Bersarin Quartett | D♭ Major | 3 | 3B | 112 BPM | ||
| Inner Voyage | EchoFire | B Major | 8 | 1B | 139 BPM | ||
| Soft Vision | Kiro Nova | E♭ Minor | 2 | 2A | 125 BPM | ||
| Empress | Subheim | G Minor | 1 | 6A | 73 BPM |